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The Waste Land is a poem by T. S. Eliot, ... Negotiations over the publication of The Waste Land started in January 1922 and lasted until the late summer. [54]
Before the poem's publication as a book in December 1922, Eliot distanced himself from its vision of despair. On 15 November 1922, he wrote to Richard Aldington, saying, "As for The Waste Land, that is a thing of the past so far as I am concerned and I am now feeling toward a new form and style." [73]
According to Williams biographer James E. Breslin, T. S. Eliot's poem The Waste Land which appeared in 1922, was a major influence on Williams and Spring and All. [3] In The Autobiography, Williams would later write, "I felt at once that The Waste Land had set me back twenty years and I'm sure it did.
John Drinkwater, Preludes 1921–1922 [3] T. S. Eliot, The Waste Land [3] Wilfrid Gibson, Krindlesdyke [3] Thomas Hardy, Late Lyrics and Earlier, with Many Other Verses [3] A. E. Housman, Last Poems [3] James Pittendrigh Macgillivray, Bog Myrtle and Peat Reek, Scottish poet writing chiefly in dialect
Sweeney, the title character, only appears in the second scene, "Fragment of an Agon." Eliot had used the character of Sweeney in four poems prior to Sweeney Agonistes: "Sweeney Among the Nightingales" (1918), "Mr. Eliot's Sunday Morning Service" (1918), "Sweeney Erect" (1919) and The Waste Land (1922). [4]
Modernist works such as T. S. Eliot's The Waste Land (1922) were increasingly self-aware, introspective, and explored the darker aspects of human nature. [23] The term modernism covers a number of related, and overlapping, artistic and literary movements, including Imagism, Symbolism, Futurism, Vorticism, Cubism, Surrealism, Expressionism, and ...
T. S. Eliot used it symbolically in The Waste Land (1922). Dorothy Hewett took The Chapel Perilous as the title for her autobiographical play, in which she uses "the framework of the Arthurian legend, Sir Lancelot, to create a theatrical quest of romantic and epic proportions." [2]
The following is a list of non-fiction books by T. S. Eliot arranged chronologically by first edition. [1]Ezra Pound: His Metric and Poetry.New York: Knopf. 1918.