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A double-sided painting is a canvas which has a painting on either side. Historically, artists would often paint on both sides out of need of material. [ citation needed ] The subject matter of the two paintings was sometimes, although not normally, related.
Portrait of the Dwarf Nano Morgante is a 1552 double-sided painting by the Italian Mannerist painter Bronzino offering front and back views on either side of the canvas of Nano Morgante (nickname of Braccio di Bartolo) the famed court dwarf of Cosimo I de' Medici, Grand Duke of Tuscany who is also immortalized in Valerio Cioli's Fontana del Bacchino at the Boboli Gardens in Florence.
A double-square painting is a painting made on uncommonly large canvases, which have one dimension that is twice the size of the other. Vincent van Gogh used 50 cm × 100 cm (20 in × 39 in) double-squares almost exclusively during the final weeks of his life in Auvers , in June and July 1890. [ 1 ]
Dona Nelson (born 1947) is an American painter, best known for immersive, gestural, primarily abstract works employing unorthodox materials, processes and formats to disrupt conventional notions of painting and viewership.
Wassily Wassilyevich Kandinsky [a] (16 December [O.S. 4 December] 1866 – 13 December 1944) was a Russian painter and art theorist. Kandinsky is generally credited as one of the pioneers of abstraction in western art.
It consists of five individual panel paintings: a central inner panel, and two double-sided wings. It is signed and dated 1437, and in a permanent collection of the Gemäldegalerie Alte Meister, Dresden, with the panels still in their original frames.
St. Jerome in the Wilderness is a double-sided oil painting on panel by the German Renaissance artist Albrecht Dürer, executed around 1496, now in the National Gallery in London, where both sides are displayed.
Stefaneschi is dressed in full ceremonial costume as a cardinal on the front, appropriate for the "public" face of the altarpiece and is introduced to St. Peter by St. George. On the back, he is more modestly dressed as a canon, like the audience for this side of the painting. Vasari cited portraiture as one of the greatest strengths of Giotto ...