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Hindi-Urdu, also known as Hindustani, has three noun cases (nominative, oblique, and vocative) [1] [2] and five pronoun cases (nominative, accusative, dative, genitive, and oblique). The oblique case in pronouns has three subdivisions: Regular, Ergative , and Genitive .
The Rajput ceremony of Jauhar, 1567, as depicted by Ambrose Dudley in Hutchinsons History of the Nations, c.1910. Jauhar, sometimes spelled Jowhar or Juhar, [1] [2] was a Hindu Rajput practice of mass self-immolation by women and girls [3] in the Indian subcontinent to avoid capture, enslavement, [4] and rape when facing certain defeat during a war.
Graffiti of Inquilab Zindabad slogan from Bangladesh, drawn by the students after the July Revolution. Inquilab Zindabad (Urdu: اِنقلاب زِنده باد; Hindi: इंक़िलाब ज़िंदाबाद) is a Hindustani (Hindi-Urdu) phrase, which translates to "Long live the revolution".
The Hindustani language employs a large number of profanities across the Hindi-speaking diaspora. Idiomatic expressions, particularly profanity, are not always directly translatable into other languages, and make little sense even when they can be translated. Many English translations may not offer the full meaning of the profanity used in the ...
The Canadian government's first attempt to restrict immigration from British India was an order in council issued on January 8, 1908, that prohibited immigration of persons who "in the opinion of the Minister of the Interior" did not "come from the country of their birth or citizenship by a continuous journey and or through tickets purchased before leaving their country of their birth or ...
Lakshagriha (Sanskrit: लाक्षागृहम्, romanized: Lākṣāgṛham), [1] also called the House of Lacquer, is a palace made of lacquer featured in ...
Alvin J. Johnson's map of Hindostan or British India, 1864. Hindūstān (pronunciation ⓘ) was a historical region, polity, and a name for India, historically used simultaneously for northern Indian subcontinent and the entire subcontinent, used in the modern day to refer to the Republic of India by some but not officially. [1]
The appearance of Monkey-man in Old Delhi is the centre-point of the 2009 Hindi film Delhi-6 directed by Rakeysh Omprakash Mehra. In the film, the creature is used as an allegory to represent the evil that resides inside every man alongside God (virtue).