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This terse definition hinges on the meaning of three Sanskrit terms. I. K. Taimni translates it as "Yoga is the inhibition (nirodhaḥ) of the modifications (vṛtti) of the mind (citta)". [3] Swami Vivekananda translates the sutra as "Yoga is restraining (nirodhah) the mind-stuff (citta) from taking various forms (vrittis)."
The Yogatārāvalī's first verse is chanted by Ashtanga (vinyasa) yoga students, following Pattabhi Jois's practice, at the start of each class. [2] [1] The text leads up to the teaching that yoga brings "complete transcendence of the world and mind", uninterested in gaining siddhis (powers). [3]
Pratyahara [1] [2] (Sanskrit: प्रत्याहार, romanized: Pratyāhāra) or the 'gathering towards' is the fifth element among the Eight stages of Patanjali's Ashtanga Yoga, [3] as mentioned in his classical work, Yoga Sutras of Patanjali composed in the 2nd century BCE. [4]
The vinyasa forms of yoga used as exercise, including Pattabhi Jois's 1948 Ashtanga (vinyasa) yoga and its spin-off schools such as Beryl Bender Birch's 1995 Power Yoga and others like Baptiste Yoga, Jivamukti Yoga, Vinyasa Flow Yoga, Power Vinyasa Yoga, and Core Strength Vinyasa Yoga, derive from Krishnamacharya's development of a flowing aerobic style of yoga in the Mysore Palace in the ...
Ujjayi (Sanskrit: उज्जायी, IAST ujjāyī, "victorious" or "conquering" [1]) is a pranayama (breathing technique) practised simultaneously with asanas in modern yoga as exercise. It is practised especially in Pattabhi Jois's Ashtanga (vinyasa) yoga, where it accompanies vigorous asana flow exercise.
The Upanishad elaborates on eight-fold or Ashtanga Yoga, without citing Patanjali. [citation needed] The Upanishad defines each Yamas and each Niyamas. For example, Ahimsa (virtue of non-violence) states the text is the Yamas of "not causing pain to any living being at any time either mentally, vocally, or physically". [27] [20]
Ashtanga yoga (not to be confused with Patanjali's aṣṭāṅgayoga, the eight limbs of yoga) is a style of yoga as exercise popularised by K. Pattabhi Jois during the twentieth century, often promoted as a dynamic form of medieval hatha yoga. [1]
Dhāraṇā (Sanskrit: धारणा) is the sixth limb of eight elucidated by Patanjali's Ashtanga Yoga or Raja Yoga in his Yoga Sutras of Patanjali. [1] It is directing and maintaining the mind's attention to a specific location of the body after sense-withdrawl has been attained.