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The Torment of Saint Anthony [2] (or The Temptation of Saint Anthony, c. 1487–88) is a painting by Michelangelo, who painted this close copy of the famous engraving by Martin Schongauer when he was only 12 or 13 years old. Whether the painting is by Michelangelo is disputed. [3]
Matthias Grünewald, inner right wing of the Isenheim Altarpiece depicting the Temptation of St. Anthony, 1512-1516 (oil on panel). The Temptation of Saint Anthony is an often-repeated subject in the history of art and literature, concerning the supernatural temptation reportedly faced by Saint Anthony the Great during his sojourn in the Egyptian desert.
The image could depict chapter 65 from Athanasius's Life of St. Anthony, where the hermit has a vision of himself floating through the air and undefined beings prevent him from ascending back to reality or it could show the ninth chapter of Athanasius's Life of St. Anthony, where St. Anthony is attacked by the devil in the form of animals and ...
Milton’s Sonnet 18 is written in iambic pentameter, with ten syllables per line, and consists of the customary 14 lines. Milton's sonnets do not follow the English (Shakespearean) sonnet form, however, but the original Italian (Petrarchan) form, as did other English poets before him (e.g. Wyatt) and after him (e.g. Elizabeth Browning). This ...
The Triptych of Temptation of St. Anthony is an oil painting on wood panels by the Early Netherlandish painter Hieronymus Bosch, dating from around 1501.The work portrays the mental and spiritual torments endured by Saint Anthony the Great (Anthony Abbot), one of the most prominent of the Desert Fathers of Egypt in the late 3rd and early 4th centuries.
Paradise Regained is a poem by English poet John Milton, first published in 1671. [1] The volume in which it appeared also contained the poet's closet drama Samson Agonistes. ...
When the poet John Dalton adapted Milton’s work to fit 18th century theatrical conventions in 1738, [14] he considerably extended its musical content by the addition of lyrics from elsewhere in Milton's work and by some of his own composition. [15] The musical setting was by Thomas Arne and was a major success, many times revived. [16]
Artists and authors have long represented the temptation of St. Anthony in their art. Many homages to Bosch's Triptych of the Temptation of St. Anthony were made, of which Craesbeeck clearly draws inspiration. A large screaming head dominates the painting, spewing forth many devils as a metaphor for evil thoughts given physical form.