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Lefelhocz incorporated the Dairy Barn's unusual cupolas into the star pattern hung on the end of the barn facing the road. [ 15 ] The Ohio Arts Council Quilt Barn Impact Study published in 2008 highlights that beyond the purely artistic importance of quilt barns, they have great value for the Appalachian Ohio region in terms of the economic ...
McCord found inspiration for her quilt designs from the world around her. Quilt historian Barbara Brackman writes, "McCord was an artist. She saw everyday things in the way that other's didn't, drawing inspiration from her flower garden, the dishes in her china cabinet, the leaves on the trees in the farmyard."
Marie Daugherty Webster (July 19, 1859 – August 29, 1956) was a quilt designer, quilt producer, and businesswoman, as well as a lecturer and author of Quilts, Their Story, and How to Make Them (1915), the first American book about the history of quilting, reprinted many times since.
After seeing an antique quilt exhibit at the Flint Institute of Art in the mid-1970s, Marston was inspired to learn how to make quilts. [5] She initially learned to quilt from Mennonite women in Oregon, [ 6 ] [ 7 ] and in 1977, she met quilter and quilt historian Mary Schafer (1910-2006), [ 8 ] who became a primary influence. [ 9 ]
A 1979 quilt by Lucy Mingo of Gee's Bend, Alabama. It includes a nine-patch center block surrounded by pieced strips. The quilts of Gee's Bend are quilts created by a group of women and their ancestors who live or have lived in the isolated African-American hamlet of Gee's Bend, Alabama along the Alabama River.
Cuesta Benberry (September 8, 1923 – August 23, 2007) was an American historian and scholar. [1] Considered to be one of the pioneers of research on quiltmaking in America, she was the pioneer of research on African-American quiltmaking.
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