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Baroque Trinity, Hendrick van Balen, 1620, (Sint-Jacobskerk, Antwerp) Holy Trinity, fresco by Luca Rossetti da Orta, 1738–39 (St. Gaudenzio Church at Ivrea). The Trinity is most commonly seen in Christian art with the Holy Spirit represented by a dove, as specified in the gospel accounts of the baptism of Christ; he is nearly always shown with wings outspread.
The Trinity depicts the three angels who visited Abraham at the Oak of Mamre (Genesis 18:1–8), but the painting is full of symbolism and is interpreted as an icon of the Holy Trinity. At the time of Rublev, the Holy Trinity was the embodiment of spiritual unity, peace, harmony, mutual love and humility. [6]
La Gloria is a painting by Titian, commissioned by Charles V in 1550 or 1551 and completed in 1554. It was first given this title by José Sigüenza in 1601 — it is also known as The Trinity, The Final Judgement, Paradise, and Adoration of the Trinity. It is held in the Museo del Prado, in Madrid. [1]
Pages in category "Paintings of the Holy Trinity" The following 29 pages are in this category, out of 29 total. This list may not reflect recent changes. ...
The Heavenly and Earthly Trinities (also known as The Two Trinities or The Pedroso Holy Family) is an oil painting on canvas of c. 1675–1682 by the Spanish artist Bartolomé Esteban Murillo in the National Gallery, London.
The painting once hung in the Palazzo Quirinale. Lotto in 1523 had painted a portrait of the married couple, Marsilio Cassotti and Faustina Assonica, a work now in the Prado Museum . In this depiction of the mystical marriage of Saint Catherine of Alexandria , the saint kneeling accepts from the child Jesus a rose, the latter symbol of love and ...
The Pala delle Convertite or The Trinity with Saints Mary Magdalen and John the Baptist, (the museum's name) or Holy Trinity, is an altarpiece by the Italian Renaissance painter Sandro Botticelli and his workshop, traditionally dated to c. 1491–1493.
Mystic Marriage of Saint Catherine or Mystic Marriage of Saint Catherine with Saints is a c.1510–1511 oil on canvas painting by Correggio, now in the National Gallery of Art in Washington. [1] Its central group is a Metterza, with Catherine of Alexandria kneeling before them and saints Francis of Assisi and Dominic to either side.
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