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Title Director Cast Genre Notes The Age for Love: Frank Lloyd: Billie Dove, Edward Everett Horton, Lois Wilson: Comedy: United Artists: Air Eagles: Phil Whitman: Lloyd Hughes, Norman Kerry, Shirley Grey
1931 2004 [44] Buena Vista Social Club: Documentary 1999 2020 [47] The Buffalo Creek Flood: An Act of Man: Documentary 1975 2005 [39] Bullitt: Narrative feature 1968 2007 [18] Bush Mama: Narrative feature 1979 2022 [37] Butch Cassidy and the Sundance Kid: Narrative feature 1969 2003 [34] Cab Calloway's home movies Home films 1948–1951 2022 ...
A census taker arrives; she insists on seeing his identification. Episode 3, "The Negro Story", with no director credit, is a five-minute narrated documentary featuring Black Americans , starting with their military service in the Navy .
Alexander Hamilton is a 1931 American pre-Code biographical film about Alexander Hamilton, produced and distributed by Warner Bros. and based on the 1917 play Hamilton by George Arliss and Mary Hamlin. It was directed by John G. Adolfi and stars Arliss in the title role.
Her first credited movie role there was as Rosie in First National Pictures' 1929 release Sally, based on the Broadway hit by the same name. The federal census of 1930 showed that Kelton was living in Los Angeles at the Warner-Kelton Hotel [ 6 ] – later called the Hotel Brevoort (and Tropical Gardens) – sharing room 666.
2 Cast. 3 See also. 4 References. ... I Like Your Nerve is a 1931 American pre-Code romantic comedy film directed by ... has embezzled $200,000 from the national ...
Honor of the Family is a 1931 American pre-Code drama film released by First National Pictures and starring Bebe Daniels and Warren William. It is based on the play by Emil Fabre from the Honoré de Balzac novel La Rabouilleuse. [1] The film marked the sound-film debut for William, who would become a major Warner Bros. star over the next five ...
The Blonde Captive is a 1931 pre-Code film directed by Clinton Childs, Ralph P. King, Linus J. Wilson, and Paul Withington. The film took previously released anthropological footage of native peoples in the Pacific and Australia, and added a sensationalized storyline. After its 1947 re-screening the film went missing.