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Seneca's main sources were Stoic.J. Fillion-Lahille has argued that the first book of the De Ira was inspired by the Stoic philosopher Chrysippus' (3rd-century BC) treatise On Passions (Peri Pathôn), whereas the second and third drew mainly from a later Stoic philosopher, Posidonius (1st-century BC), who had also written a treatise On Passions and differed from Chrysippus in giving a bigger ...
De Vita Beata ("On the Happy Life") is a dialogue written by Seneca the Younger around the year 58 AD. It was intended for his older brother Gallio, to whom Seneca also dedicated his dialogue entitled De Ira ("On Anger"). It is divided into 28 chapters that present the moral thoughts of Seneca at their most mature.
De Providentia (On Providence) is a short essay in the form of a dialogue in six brief sections, written by the Latin philosopher Seneca (died AD 65) in the last years of his life. He chose the dialogue form (as in the well-known Plato 's works) to deal with the problem of the co-existence of the Stoic design of providence with the evil in the ...
(41) De Ira (On anger) – A study on the consequences and the control of anger – addressed to his brother Novatus (book 2 of the De Ira) (book 3 of the De Ira) (40) Ad Marciam, De consolatione (To Marcia, On Consolation) – Consoles her on the death of her son (58) De Vita Beata (On the Happy Life) – addressed to Gallio
In De Ira (On Anger), Book I, Chapter XVIII, Seneca tells of Gnaeus Calpurnius Piso, a Roman governor and lawmaker, when he was angry, ordering the execution of a soldier who had returned from a leave of absence without his comrade, on the grounds that if the man did not produce his companion, he had presumably killed the latter.
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His brother Seneca, who dedicated to him the treatises De Ira and De Vita Beata, speaks of the charm of his disposition, also alluded to by the poet Statius (Silvae, ii.7, 32). It is probable that he was banished to Corsica with his brother, and that they returned together to Rome when Agrippina selected Seneca to be tutor to Nero .
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