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It is vital not only to imagine space but also to follow the narration, the description, and the course of action, since all those may shape the fictitious reality by imposing the additional meanings on it. [7] Literary/cultural conventions constitute the second space-modelling code. This system is more abstract one than the previous one.
In literary theory and philosophy of language, the chronotope is how configurations of time and space are represented in language and discourse.The term was taken up by Russian literary scholar Mikhail Bakhtin who used it as a central element in his theory of meaning in language and literature.
Proxemics is the study of human use of space and the effects that population density has on behavior, communication, and social interaction. [1] Proxemics is one among several subcategories in the study of nonverbal communication, including haptics (touch), kinesics (body movement), vocalics (paralanguage), and chronemics (structure of time).
A literary movement called the language poets formed as a reaction against confessional poetry and took as their starting point the early modernist poetry composed by Gertrude Stein, William Carlos Williams, and Louis Zukofsky. Despite this, Language poetry has been called an example of postmodernism in American poetry.
Geocriticism frequently involves the study of places described in the literature by various authors, but it can also study the effects of literary representations of a given space. An example of the range of geocritical practices can be found in Tally's collection Geocritical Explorations: Space, Place, and Mapping in Literary and Cultural Studies.
According to Andrew Escobedo, "literary personification marshalls inanimate things, such as passions, abstract ideas, and rivers, and makes them perform actions in the landscape of the narrative." [28] He dates "the rise and fall of its [personification's] literary popularity" to "roughly, between the fifth and seventeenth centuries". [29]
Personal narrative (PN) is a prose narrative relating personal experience usually told in first person; its content is nontraditional. [1] "Personal" refers to a story from one's life or experiences. "Nontraditional" refers to literature that does not fit the typical criteria of a narrative.
In ethnography, a contact zone is a conceptual space where different cultures interact.. In a 1991 keynote address to the Modern Language Association titled "Arts of the Contact Zone", Mary Louise Pratt introduced the concept, saying "I use this term to refer to social spaces where cultures meet, clash and grapple with each other, often in contexts of highly asymmetrical relations of power ...