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"Istanbul (Not Constantinople)" is a 1953 novelty song, with lyrics by Jimmy Kennedy and music by Nat Simon. It was written on the 500th anniversary of the fall of Constantinople to the Ottomans . The lyrics humorously refer to the official renaming of the city of Constantinople to Istanbul .
"Istanbul (Not Constantinople)" references both the current and previous names for modern-day Istanbul (Hagia Sophia pictured). "Lucky Ball and Chain" employs the unreliable narrator motif, according to Linnell. Influenced by the country-western musical tradition, the song is a "simple regret song" dealing with "the one that got away". [6]
"James K. Polk" is a song by alternative rock band They Might Be Giants, about the United States president of the same name. Originally released in 1990 as a B-side to the single "Istanbul (Not Constantinople)", its first appearance on a studio album was 1996's Factory Showroom.
The Conquest of Constantinople (Turkish: İstanbul'un Fethi) is a 1951 Turkish adventure film directed by Aydın G. Arakon . [1] It was the first film of the "Ottomans v. Byzantines" genre which became very popular in Turkey. [2] The film depicts the Fall of Constantinople (1453). It was shown in the United States in 1954.
In 1999, They Might Be Giants released Direct from Brooklyn, a VHS compilation of their music videos from 1986 up to that point. It was reissued on DVD in 2003. The following music videos were included: "Put Your Hand Inside the Puppet Head" (1986) "Don't Let's Start" (1986) "(She Was a) Hotel Detective" (1986) "Ana Ng" (1988) "Purple Toupee ...
The Four Lads were a Canadian male singing quartet that earned many gold singles and albums in the 1950s, 1960s, and 1970s. Their million-selling signature tunes include "Moments to Remember"; [1] "Standing on the Corner"; [2] "No, Not Much"; [3] "Who Needs You?" [4] and "Istanbul".
Istanbul is a 1957 American CinemaScope film noir crime film directed by Joseph Pevney, and starring Errol Flynn and Cornell Borchers. It is a remake of the film Singapore, with the location of the action moved to Turkey. The plot involves an American pilot who becomes mixed up with various criminal activities in Istanbul. [2] [3]
Joe Chiccarelli, the album's producer, stated that "Morrissey wanted to evoke the feeling of the hectic and chaotic streets of the city of Istanbul, so he used a cigar-box guitar, a lap steel guitar and a complicated and bussy drum rhythm, plus an actual gong as percussion, as well as vocal samples from a field recording taken in the streets of ...