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"Wish You Were Here" is a song by English rock band Pink Floyd, released as the title track of their 1975 album of the same name. [ 2 ] [ 3 ] Guitarist/vocalist David Gilmour and bassist/vocalist Roger Waters collaborated in writing the music, with Gilmour singing lead vocals.
In 2004, Wish You Were Here was ranked number 36 on the Pitchfork list of the Top 100 albums of the 1970s. [79] IGN rated Wish You Were Here as the eighth-greatest classic rock album, [80] and Ultimate Classic Rock placed Wish You Were Here as the second-best Pink Floyd album. [81] Wright and Gilmour cited Wish You Were Here as their favourite ...
"Wish You Were Here" is a popular song with music and lyrics by Harold Rome, the title tune from his 1952 show, Wish You Were Here. It was introduced in the show and on the RCA Victor cast album [1] by Jack Cassidy.
The Story of Wish You Were Here is a television documentary about the making of Pink Floyd's 1975 album Wish You Were Here. After being shown on a few television channels, such as BBC Four, [1] it was released on 26 June 2012, on DVD and Blu-ray. The film gives an extensive insight of concept, recording the songs and designing the album cover.
"Wish You Were Here" is a song written by Bill Anderson, Skip Ewing, and Debbie Moore, and recorded by American country music artist Mark Wills. The song reached the top of the Billboard Hot Country Singles & Tracks (now Hot Country Songs) chart. It was released in January 1999 as the third single and title track from his album of the same name.
Download as PDF; Printable version; In other projects ... Appearance. move to sidebar hide. I wish you were here may refer to: Zaion: I Wish You Were Here, a ...
"Wish You Were Here" is written by Lavigne, Max Martin, and Shellback, while produced by the latter two. [2] It was recorded at Maratone Studios in Stockholm, Sweden. [2] In a telephone interview with The Caprice, Lavigne confirmed that the song would serve as the third and possibly last single from Goodbye Lullaby. [3]
The vi chord before the IV chord in this progression (creating I–vi–IV–V–I) is used as a means to prolong the tonic chord, as the vi or submediant chord is commonly used as a substitute for the tonic chord, and to ease the voice leading of the bass line: in a I–vi–IV–V–I progression (without any chordal inversions) the bass ...