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Balinese dance (Indonesian: tarian Bali; Balinese: ᬇᬕᭂᬮᬦ᭄ᬩᬮᬶ (igélan Bali)) is an ancient dance tradition that is part of the religious and artistic expression among the Balinese people of Bali island, Indonesia. Balinese dance is dynamic, angular, and intensely expressive. [1]
A sample of kecak chanting mixed with Balinese gamelan can be heard in the SNK Neo Geo arcade video game The King of Fighters '97, when the gameplay shows a Bali arena scene. The arena also includes background animation of kecak chanters on the right side, Barong dance in the center, and gamelan performers with a crowded audience on the left side.
A dance known as cendrawasih was designed by I Gde Manik and was first performed in the Sawan subdistrict of the Buleleng Regency in the 1920s; the area is the origin of numerous dances, including Trunajaya, Wirangjaya, and Palawakya.
While not all listed were exclusively Pop kreatif artists, they contributed to the genre's development and popularity. Groups and artists with aliases are listed alphabetically by the first letter of their name, while individual artists are listed by their surname.
Joged dance (Balinese: ᬚᭀᬕᬾᬤ᭄) is a style of dance from the Island of Bali derived from the traditional Gandrung dance. [1] The term joged or joget is also a common word for dance in Indonesia. The dance is typically accompanied by a gamelan ensemble of bamboo instruments, called a gamelan joged bumbung.
Baris dance (from Balinese ᬩᬭᬶᬲ᭄ 'baris') is a family of traditional Balinese-style war dances originates from the Indonesian island of Bali.It is accompanied by gamelan, in which dancers depict the feelings of a young warrior prior to battle, glorify the manhood of the triumphant Balinese warrior, and display the sublimity of his commanding presence.
Janger (Balinese: ᬚᬗᬾᬃ) is a traditional Balinese and Osing dance drama performance originated from the Indonesian island of Bali, [1] and commonly performed by Balinese in Bali as well as Osing people in the easternmost region of Java. The term roughly translates to '"infatuation," with a connotation of someone who is madly in love" [2]:97
Traditional Balinese dances are sacral in nature, thus unsuited for secular performances. That these dances were used for welcoming non-Balinese, and in non-sacral contexts, was a point of controversy in the late 1960s. [1]