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Hiragana originated as simplified forms of similar-sounding Chinese characters. Hiragana character shapes were derived from Chinese cursive script (sōsho). Shown here is a sample of cursive script by 7th century calligrapher Sun Guoting. Note the character 為 (wei), indicated by the red arrow, closely resembles the hiragana character ゐ (wi).
よ, in hiragana or ヨ in katakana, is one of the Japanese kana, each of which represents one mora. The hiragana is made in two strokes, while the katakana in three. Both represent [jo]. When small and preceded by an -i kana, this kana represents a palatalization of the preceding consonant sound with the [o] vowel (see yōon). [1]
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ろ, in hiragana, or ロ in katakana, (romanised as ro) is one of the Japanese kana, each of which represents one mora. The hiragana is written in one stroke, katakana in three. Both represent ⓘ and both originate from the Chinese character 呂. The Ainu language uses a small ㇿ to represent a final r sound after an o sound (オㇿ or).
ゆ, in hiragana or ユ in katakana, is one of the Japanese kana, which each represents one mora. Both the hiragana and katakana forms are written in two strokes and represent the sound [jɯ]. When small and preceded by an -i kana, this kana represents a palatalization of the preceding consonant sound with the [ɯ] vowel (see yōon). [1]
The hiragana for ru (る) is made with one stroke, and its katakana form (ル) is made with two. る (hiragana) begins with a horizontal stroke to the right, followed by a slightly longer, angular stroke going down and to the left. Finally, a curve and loop are added to the bottom that somewhat resembles the hiragana no (の).
く, in hiragana or ク in katakana, is one of the Japanese kana, which each represent one mora.Both represent [kɯ] and their shapes come from the kanji 久.. This kana may have a dakuten added, transforming it into ぐ in hiragana, グ in katakana and gu in Hepburn romanization.
ち, in hiragana, or チ in katakana, is one of the Japanese kana, which each represent one mora. Both are phonemically /ti/ , reflected in the Nihon-shiki and Kunrei-shiki romanization ti , although, for phonological reasons , the actual pronunciation is [t͡ɕi] ⓘ , which is reflected in the Hepburn romanization chi .