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Series creator and executive producer Seth MacFarlane.. The American adult animated sitcom Family Guy has been the target of numerous taste and indecency complaints. The show is known to include offensive jokes including racial humor and violent, gory, and disturbing images.
The Aristocrats" is a taboo-defying, off-color joke that has been told by numerous stand-up comedians since the vaudeville era. [1] It relates the story of a family trying to get an agent to book their stage act, which is remarkably vulgar and offensive. The punch line reveals that they incongruously bill themselves as "The Aristocrats". [2]
The actor had previously left the role on Family Guy, in order to star as the character in his own spinoff, entitled The Cleveland Show. [5] This episode is also the first crossover with The Cleveland Show , which was created by Family Guy creator and executive producer Seth MacFarlane , voice actor Mike Henry, and former animated comedy writer ...
“Family Guy” devoted Sunday’s entire episode to mocking President Trump, with one scene in particular bringing poor Meg into the mess. While “Trump Guy” included jokes both big (a minute ...
Nine months after announcing on-air that it was "trying to phase out" gay jokes, Family Guy offered a clarification of sorts on Sunday. In the episode, titled "Disney's The Reboot," a focus group ...
In 2014, to celebrate the show's 15th anniversary, IGN published a list of the 15 best Family Guy episodes, with "Petarded" ranked the best, saying: "The show is at its comedic best with this episode, with musical numbers and family drama to back up the offensive humor."
Wife: “I want another baby.” Husband: “That’s a relief, I also really don’t like this one.” My wife and I have reached the difficult decision that we do not want children.
"Peter's Two Dads" is the tenth episode in the fifth season of the American animated television series Family Guy. It originally aired on the Fox network in the United States on February 11, 2007. The episode was written by Danny Smith and directed by Cyndi Tang, with Greg Lovell as co-director.