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Music in Nazi Germany, like all cultural activities in the regime, was controlled and "co-ordinated" (Gleichschaltung) by various entities of the state and the Nazi Party, with Propaganda Minister Joseph Goebbels and the prominent Nazi theorist Alfred Rosenberg playing leading – and competing – roles.
The music for this song came from the Lied der Legion Condor ("Song of the Condor Legion"), whose lyrics and music were written by Wolfram Philipps and Christian Jährig, two Condor Legion pilots with the rank of Oberleutnant. The somber music has a minor character, and the song was "exposed to the accusation of being un-German, Russian or ...
"Erika" is a German marching song. It is primarily associated with the German Army, especially that of Nazi Germany, although its text has no political content. [1] It was created by Herms Niel and published in 1938, and soon came into usage by the Wehrmacht. It was frequently played during Nazi Party public events.
[citation needed] Criticism of Horst Wessel as author became unthinkable after 1933, when the Nazi Party took control of Germany and criticism would likely be met with severe punishment. The most likely immediate source for the melody was a song popular in the Imperial German Navy during World War I , which Wessel would no doubt have heard ...
German-occupied Europe at the height of the Axis conquests in 1942 Gaue, Reichsgaue and other administrative divisions of Germany proper in January 1944. According to the Treaty of Versailles, the Territory of the Saar Basin was split from Germany for at least 15 years. In 1935, the Saarland rejoined Germany in a lawful way after a plebiscite.
German-occupied Europe (or Nazi-occupied Europe) refers to the sovereign countries of Europe which were wholly or partly militarily occupied and civil-occupied, including puppet governments, by the military forces and the government of Nazi Germany at various times between 1939 and 1945, during World War II, administered by the Nazi regime under the dictatorship of Adolf Hitler.
Charlie and his Orchestra (also referred to as the "Templin band" and "Bruno and His Swinging Tigers") were a Nazi-sponsored German propaganda swing band. Jazz music styles were seen by Nazi authorities as rebellious but, ironically, propaganda minister Joseph Goebbels conceived of using the style in shortwave radio broadcasts aimed initially at the United Kingdom, and later the United States ...
From the Nazi seizure of power onward, these composers found it increasingly difficult, and often impossible, to get work or have their music performed. Many went into exile (e.g., Arnold Schoenberg, Kurt Weill, Paul Hindemith, Berthold Goldschmidt); or retreated into "internal exile" (e.g., Karl Amadeus Hartmann, Boris Blacher); or ended up in the concentration camps (e.g., Viktor Ullmann, or ...