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Recitative is a dialogue between a (usually) solo voice and an instrument or instruments. Usually the voice and instrument (s) alternate, or share a chord while one continues. In this way the speech-like rhythm of the singer does not need to be coordinated and synchronized with the instrument (s). Recitative cadences: The dialog ends with the ...
Opera is a form of theatre in which music is a fundamental component and dramatic roles are taken by singers. Such a "work" (the literal translation of the Italian word "opera") is typically a collaboration between a composer and a librettist [1] and incorporates a number of the performing arts, such as acting, scenery, costume, and sometimes ...
Glossary of music terminology. A variety of musical terms are encountered in printed scores, music reviews, and program notes. Most of the terms are Italian, in accordance with the Italian origins of many European musical conventions. Sometimes, the special musical meanings of these phrases differ from the original or current Italian meanings.
Basso continuo parts, almost universal in the Baroque era (1600–1750), provided the harmonic structure of the music by supplying a bassline and a chord progression. The phrase is often shortened to continuo, and the instrumentalists playing the continuo part are called the continuo group. A harpsichordist and a bassist play continuo for a ...
Arioso. In classical music, arioso ([aˈrjoːzo]; also aria parlante[1] [ˈaːrja parˈlante]) is a category of solo vocal piece, usually occurring in an opera or oratorio, falling somewhere between recitative and aria in style. Literally, arioso means airy. The term arose in the 16th century along with the aforementioned styles and monody.
A sung-through (also through-sung) musical, musical film, opera, or other work of performance art is one in which songs entirely or almost entirely replace any spoken dialogue. Conversations, speeches, and musings are communicated musically, for example through a combination of recitative, aria, and arioso. Early versions of this include the ...
Solita forma. In 19th-century Italian opera, la solita forma (literally conventional form or multipartite form or double aria) is the formal design of scenes found during the bel canto era of Rossini, Bellini, Donizetti up to the late operas of Verdi. [1] The English phrase—"multipartite form"—is most often used by American musicologist ...
Renaissance music →. v. t. e. Gregorian chant is the central tradition of Western plainchant, a form of monophonic, unaccompanied sacred song in Latin (and occasionally Greek) of the Roman Catholic Church. Gregorian chant developed mainly in western and central Europe during the 9th and 10th centuries, with later additions and redactions.