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The early house music sound was a "dialogue" between Hispanic, [2] and Black American post-disco [3] [4] [5] and European post-punk [6] [7] electronic music and their traditions with Italo-disco picked or, emulated the most, [8] as the template for house music. [9]
Disco Demolition Night was a Major League Baseball (MLB) promotion on Thursday, July 12, 1979, at Comiskey Park in Chicago, Illinois, that ended in a riot.At the climax of the event, a crate filled with disco records was blown up on the field between games of the twi-night doubleheader between the Chicago White Sox and the Detroit Tigers.
Admission was five dollars and the club offered free juice and water to dancers. In the middle floor is where DJ Knuckles began to experiment with editing disco breaks on a reel-to-tape recorder. This mixing would soon become the beginnings of the house music genre. [5] The Warehouse became a hub for the people of Chicago, specifically black ...
In March 1979, after a few months without a job, Dahl was hired to do a morning show at WLUP where he met overnight DJ Garry Meier (who was then broadcasting under the pseudonym of "Matthew Meier"). Shortly thereafter, the two began a cross talk that eventually led to Meier being teamed up with Dahl as both sidekick and newsman.
Disco is a genre of dance music and a subculture that emerged in the late 1960s from the United States' urban nightlife scene. Its sound is typified by four-on-the-floor beats, syncopated basslines, string sections, brass and horns, electric piano, synthesizers, and electric rhythm guitars.
Bad Boy Bill was a regular DJ on the popular house mixes on WBMX 102.7 FM in Chicago, WGCI 107.5 FM and then on the B96 96.3 FM a top pop station. As a remixer, he landed his first Top Five Billboard Dance Chart hit at the age of 19 – Dada Nada 's "Deep Love" which also featured remixes by House music legends Frankie Knuckles & David Morales ...
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House is a genre of electronic dance music characterized by a repetitive four-on-the-floor beat and a typical tempo of 115–130 beats per minute. [11] It was created by DJs and music producers from Chicago's underground club culture and evolved slowly in the early/mid 1980s as DJs began altering disco songs to give them a more mechanical beat.