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In the wake of a 1984 dissertation on "Runes and Magic", Stephen Flowers published a series of books under the pen-name "Edred Thorsson" which detailed his own original method of runic divination and magic, "odianism", [16] which he said was loosely based on historical sources and modern European hermeticism. These books were:
They generally contained practical information or memorials instead of magic or mythic stories. [1] The body of runic inscriptions falls into the three categories of Elder Futhark (some 350 items, dating to between the 2nd and 8th centuries AD), Anglo-Frisian Futhorc (some 100 items, 5th to 11th centuries) and Younger Futhark (close to 6,000 ...
Futhorc are Anglo-Saxon runes which were used to write Old English. The most notable of the rings are the Bramham Moor Ring , found in the 18th century, and the Kingmoor Ring , found 1817, inscribed with a nearly identical magical runic formula read as
The symbols represent the runes Ansuz, Laguz, and Uruz. The origin and meaning of the word are matters of dispute, though a general agreement exists among scholars that the word represents an instance of historical runic magic or is a metaphor (or metonym) for it. [1] It is the most common of the early runic charm words. [2]
Armanen runes and their transcriptions. Armanen runes (or Armanen Futharkh) are 18 pseudo-runes, inspired by the historic Younger Futhark runes, invented by Austrian mysticist and Germanic revivalist Guido von List during a state of temporary blindness in 1902, and described in his Das Geheimnis der Runen ("The Secret of the Runes"), published as a periodical article in 1906, and as a ...
See also Runic magic § Historical evidence. This category is for historical runic inscriptions with magical or religious inscriptions. For modern systems see Category:Runes in Germanic mysticism .
The Younger Futhark inscription on the stone bears a commonly seen memorial dedication, but is followed by an encoded runic sequence that has been described as "mysterious", [40] and "an interesting magic formula which is known from all over the ancient Norse world". [37]
In fact, one of the Old Norse words for "writing in runes" was fá and it originally meant "to paint" in Proto-Norse (faihian). [61] Moreover, in Hávamál, Odin says: "So do I write / and colour the runes" [60] [62] and in Guðrúnarkviða II, Gudrun says "In the cup were runes of every kind / Written and reddened, I could not read them". [63 ...