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The word Maguindanao or Magindanaw means "people of the flood plains", from the word Magi'inged that means "people or citizen" and danaw that means "lake or marsh". Thus Maguindanao or Magindanaw can also be translated as "people of the lake", identical to their close neighbors, the Maranao and Iranun.
Sultanate of Maguindanao Kasultanan nu Magindanaw كسولتانن نو مڬیندنو 1515 –1899 or 1926 Flag Territory of the Sultanate of Maguindanao in 1521 (purple) and its subjects (light purple) according to various accounts. Capital Tubok (1515–1543) Selangan (1543–1619; 1701–1711) Ramitan (1619–1637) Simuay (1639–1701) Tamontaka (1711–1861) Cotabato (1861–1888 ...
The Maguindanao kulintang ensemble, called basalen or palabunibuniyan is the traditional gong chime ensemble of the Maguindanao.Other forms of the kulintang ensembles are played in parts of Southeast Asia especially in the eastern parts of Maritime Southeast Asia — southern Philippines, eastern Indonesia, eastern Malaysia, Brunei and Timor. [1]
Poverty incidence of Maguindanao 10 20 30 40 50 60 70 2006 54.60 2009 52.15 2012 63.73 2015 54.27 2018 48.55 2021 29.80 Source: Philippine Statistics Authority Musical heritage Main articles: Music of the Philippines and Kulintang Brass gongs used as a main melodic instrument in the Kulintang ensemble. The native Maguindanaon culture revolved around Kulintang music, a specific type of gong ...
A map showing the traditional homelands of the indigenous peoples of the Philippines by province. The indigenous peoples of the Philippines are ethnolinguistic groups or subgroups that maintain partial isolation or independence throughout the colonial era, and have retained much of their traditional pre-colonial culture and practices.
A palendag, a Philippine bamboo flute of the Maguindanaon people. The palendag, also called Pulalu (Manobo [1] and Mansaka), Palandag (), [2] Pulala and Lumundeg is a type of Philippine bamboo flute, the largest one used by the Maguindanaon, a smaller type of this instrument is called the Hulakteb (Bukidnon). [3]
Traditionally among the Maguindanao, the main function of the gandingan was its use as a secondary melodic instrument after the kulintang in the kulintang ensemble. In olden style of play, strictly done by women, the patterns used function to feature/highlight/reinforce the rhythmic modes already established by the singular babendil and dabakan.
Part of a series on the History of the Philippines Timeline Prehistoric period (pre-900) Early hominin activity Homo luzonensis Tabon Man Austronesian expansion Angono Petroglyphs Lal-lo and Gattaran Shell Middens Sa Huỳnh culture Precolonial barangay Maritime Silk Road Events/Artifacts Balangay Cordillera Rice Terraces Grave goods Kalanay Cave Maitum anthropomorphic pottery Manunggul Jar ...