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The designing of the intricate framework of the rose windows had two basic principles of design during this period: Ad Quadratum "Right Measure" or "Two to One" The use of voids in the geometrical designing a rose windows is a defining difference between Rayonnant and Famboyant styles. Practically every rose window contains at least one star.
Rayonnant (French pronunciation: [ʁɛjɔnɑ̃]) style is the third of the four phases of Gothic architecture in France, as defined by French scholars. [6] [7] Related to the English division of Continental Gothic into three phases (Early, High, Late Gothic), it is the second and larger part of High Gothic.
A few important examples of 12th-century windows are found at Chartres Cathedral on the inside of the western facade, in three lancet windows under the rose window. These windows survived a devastating fire in the Cathedral in 1194, and are considered some of the best examples of 12th-century work in France. [5]
Except the seven windows of the apse (each consisting of a single lancet) and those in bay 132 (whose lancets were walled-in in the 16th century to install the main organ), all the base of the upper level are made up of 2 lancets below a rose, which brings the number of windows to 68. The small rose windows to the south and north are each ...
Slender columns rose from the pillars up the walls to support the four-part rib vaults. As a result of the Rayonnant reconstruction in the triforium was given windows, and the upper walls were entirely filled with glass, which reached upward into the arches of the vaults, flooding the church with light. [55]
These windows deck not only the west fronts of churches, but often, as at Notre-Dame de Paris, the transept gables as well. It is common that although the transepts of French churches do not project strongly, they are given visual importance almost equal to the west front, including large decorated portals and a rose window.
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