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The animation closes with the words: "Goodnight from TELEVISION NEW ZEALAND". [ citation needed ] (until There was a slight variation of the ending – from 1989 onwards, the Goodnight Kiwi was only seen on Channel 2 ( TV1 adopted its closedown sequence, featuring the National Anthem) and ended with a voiceover stating "it's goodnight from ...
A trio of mosquitoes and a pair of ingenuous prancing bugs, unfolding the well-known mannerisms of hoofers, add to the merit of the reel. Old folks, as well as the kids, have evidenced a strong liking for this series. They won't be disappointed in Night." [2] Motion Picture News (June 28, 1930): "Clever: A lot of fun in this nonsensical cartoon ...
In May 2022, animator and archivist Steve Stanchfield released a Blu-Ray collection titled "The Other Betty Boop Cartoons, Volume 1" through his label Thunderbean Animation, which features public domain cartoons that were not on the Olive Films sets. It includes the long-lost, recently discovered cartoon Honest Love and True. [5]
Augenblick Studios is an independent animation studio founded in 1999 by Aaron Augenblick, and located in Brooklyn, New York City. [1] The company has created a wide array of animated shorts for television, film, and the Internet, with the target audience typically being adults.
Friday Night Videos; Fridays; Friends of the People; Funny or Die Presents; The Funny Side; Garfunkel and Oates; The Garry Moore Show; The Great American Dream Machine; Green Screen Adventures; Guys Next Door; Hack My Life; The Hanna-Barbera Happy Hour; The Harlem Globetrotters Popcorn Machine; Haywire; Hee Haw; Hell Den; Hey Girl; Hey Vern, It ...
Unlike the channel's other blocks, The Good Night Show was repeated twice over the course of each night. Throughout the block, viewers (referred to as "Sproutlets") were encouraged to participate in host-led games, songs, crafts, and lessons in yoga and sign language. Activities generally revolved around a theme, and took place between animated ...
The series is animated in a deliberately rough style, using marker pens and a very sketchy drawing technique, so that the pictures are constantly "shaking". This effect, known to animators as "boiling", gives an energetic character to the show, and was a contrast to the slick, smooth colouring of the American Hanna-Barbera shows that were being ...
Motion Picture Exhibitor (April 15, 1938): "A musical revue at an Artie Penguin Night Club. "Fats Waller" pounds out music. There is an amusing little double talking M.C. Animation is very smooth, music is hot, tuneful. This constitutes a moderately funny cartoon for all classes." [4]