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Further improvements is an internal tray for ND filters, a 4:3 sensor, open gate sensor mode, and a quieter cooling fan. The range accordingly comprises the Alexa, the Alexa XT, the Alexa XT M, the Alexa XT Plus, the Alexa XT Studio and the Alexa Fiber Remote. Existing cameras can be upgraded with the XR module for internal raw recording. [5]
Arri: Alexa Plus 4:3 [10] Alexa M 23.76 x 17.82 mm 1.52 Arri PL: SxS card, T-link recorder (optional XR module upgrade) [5] 12-bit 4444 ProRes, 10-bit 4:4:4 DNxHD (SxS card) 12-bit ARRIRAW (T-link recorder or XR drive) 2048 x 1152 (ProRes/DNxHD codecs to SxS card) 2880 x 2160 (ARRIRAW to external recorders or XR drive)
The Alexa Plus 4:3, like the Alexa Studio, allowed the full area of the sensor to be used with anamorphic lenses. [ 36 ] The 16mm Arriflex 416 camera and Ultra Prime 16 lenses were used in the filming of the 2010 film Black Swan .
$10.9 million [3] The Darkness is a ... [citation needed] The film was shot with the camera Arri Alexa Plus 4:3, as revealed by cinematographer Toby Oliver. [14] Music
V-Plus Lenses 2011 Albert Nobbs: Michael McDonough: Red One MX: 2011 Extremely Loud and Incredibly Close: Chris Menges: Arri Alexa: 2011 11-11-11: Joseph White Arri Alexa: 2011 The Wholly Family: Nicola Pecorini: Arri Alexa: 2011 Once Upon a Time in Anatolia: Gökhan Tiryaki: Sony CineAlta F35: 2011 Wild Bill: George Richmond Arri Alexa: 2011 ...
ARRI Alexa LF and Mini LF. Converted to 3D. [62] [82] Dancing Village: The Curse Begins: 11 April 2024: ARRI Alexa LF and Mini LF. [83] Joker: Folie à Deux: 4 October 2024: ARRI Alexa IMAX, ARRI Alexa LF and Sony CineAlta Venice [62] [84] Venom: The Last Dance: 25 October 2024: ARRI Alexa LF and Mini LF. [62] [85] Captain America: Brave New ...
Arri Alexa; Astrodesign AH-4413 – released in 2012 and records at 3840×2160 (8.3 megapixels) [2] AXIOM is an open source hardware modular camera that allows users to swap sensors. For research and development the ams Sensors Belgium CMV12000 was used, which allows the camera to record up to 300 fps (10 bit), 132 fps (12 bit) at 4K Resolution [3]
Arri: 1995 14.3 lb (6.5 kg), without magazine MOS N/A Arriflex 435ES Arriflex 435: Arri: 1995 14.3 lb (6.5 kg), without magazine MOS N/A Moviecam SL Moviecam SL: Moviecam: 1995 8.25 lb (3.74 kg) Sync 25 dB Aaton 35-III Aaton 35: Aaton: 1997 16 lb (7.3 kg), with full magazine and onboard battery Sync 30 dB (4 perf), 26 dB (3 perf) Panaflex ...
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