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Line 6 is a musical instrument and audio equipment manufacturer, best known as a pioneer in guitar amplifier and effect modeling. [1] [2] The company's products include guitar effects, modeling guitar amplifiers, software, electric guitars, and wireless systems.
Fryette Amplification of North Hollywood, California is a manufacturer of hand-built electric guitar amplifiers, speaker cabinets, power amplifiers, sound effects pedals and pedalboard accessories. The company was founded as VHT Amplification in Studio City, Los Angeles, California by Steven Fryette in January 1989 and was the first to produce ...
The Jazz Chorus is one of the most famous and successful combo amplifiers from its period and its earliest users included Albert King, Andy Summers (), Chuck Hammer (), Larry Coryell, Robert Smith (of The Cure, although he used the rarer 160 Watt JC-160 with 4 x 10" speakers), Billy Duffy (The Cult, Theatre of Hate), Roger Hodgson of Supertramp, Joe Strummer, John Sebastian of The Lovin ...
In 1989, Hughes & Kettner offered the first realistic speaker emulation device, the Red Box, providing the sound of a speaker without needing a microphone. [3] In 1997, the company designed the Rotosphere, a tube-powered effects pedal simulating the sound of a rotary cabinet, similar to a Leslie, but in a much smaller form factor. [ 4 ]
Blackstar Amplification is a British company that produces and manufacturers guitar amplifiers and effects units. The company was founded by a group of ex- Marshall employees, most notably Bruce Keir, who became technical Director at Blackstar, and former Chief Design Engineer at Marshall, Ian Robinson.
The I/C100 was also put in a cabinet (called a Combo) with 2 x 12" Celestion Speakers. Following a move to Bar Hill, Cambridge circa 1975, or just before, HH extended its range of sound reinforcement equipment to include models such as the MA100 Mixer Amplifier, a 100 watt, 5 channel PA amplifier 'head' with a switchable spring reverb. The ...
A few Dumble amps have a Dumbleator circuit built in, but most have "un-buffered" input jacks that tap directly out of the pre-amp and into the power amp. Dumble likely created this external loop because of the difficulty of fitting effects loop buffering into the amplifier chassis (and the limited use of effects loops for most players).
The Roland Micro Cube, left, a small and portable digital modeling amplifier. Digital amp modelers Standalone modeling devices such as the Line 6 POD and Fractal Axe-FX digitize the input signal and use a DSP, a dedicated microprocessor, to process the signal with digital computation, attempting to achieve the sound of expensive professional amplifiers in a much less costly and more compact ...
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