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The album also features previously unreleased tracks "Black Widow" and the Japanese bonus track "I'm a Liar". Red, White & Crüe is certified platinum. A video was made for "Sick Love Song," though the video, mostly composed of produced concert clips, got only scarce airplay, the song found its way onto some rock-oriented radio stations.
AllMusic's Steve Huey gave the album a rating of four stars and states: "Girls, Girls, Girls continued Mötley Crüe's commercial hot streak, eventually going quadruple platinum as its predecessor, Theatre of Pain, had; meanwhile, the title track brought them their second Top 20 single, and 'Wild Side' became a popular MTV item."
Shout at the Devil was Mötley Crüe's breakthrough success, selling 200,000 copies in its first two weeks. [7] The album's title and the band's use of a pentagram caused a great deal of controversy upon its 1983 release, as Christian and conservative groups claimed the band was encouraging their listeners to worship Satan. [8]
Wild Side" – 4:40 "Too Fast for Love" – 4:11 "Shout at the Devil" – 3:16 "A Rat Like Me" – 4:13 "Primal Scream" – 4:46 "Let Us Prey" – 4:22 "Dancing on Glass" – 4:18 "Bitter Pill" – 4:27 "Dr. Feelgood" – 4:50 "You're All I Need" – 4:43 "Piece of Your Action" – 4:40 "Red Hot" – 3:21 "Find Myself" – 2:51 "Hell On High ...
List of other charted songs, with selected chart positions Title Year Peak chart positions Album US Hard Rock Digi. US Heri. "Take Me to the Top" 1981 22 — Too Fast for Love "The Animal in Me" 2008 — 28 The Saints of Los Angeles "Crash and Burn" 2019 24 — The Dirt Soundtrack
The song was praised by Jon Bon Jovi as "the best ballad Mötley Crüe have ever written.” [4] When informed of this, Nikki Sixx laughed because of the gruesome meaning behind the song. [citation needed] As Sixx would later relate in his Heroin Diaries memoir, "You're All I Need" was inspired by some real-life violent impulses.
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Black Widow director Cate Shortland believed Balfe had created a "soulful score that is really Russian". [ 5 ] Balfe employed London's Metro Voices for a 118-piece orchestra and a 60-voice choir singing Russian lyrics, with a 40-voice male choir and 20-voice female choir, doing takes with and without lyrics.