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Greek spelling of logos. Logos (UK: / ˈ l oʊ ɡ ɒ s, ˈ l ɒ ɡ ɒ s /, US: / ˈ l oʊ ɡ oʊ s /; Ancient Greek: λόγος, romanized: lógos, lit. 'word, discourse, or reason') is a term used in Western philosophy, psychology and rhetoric, as well as religion (notably Christianity); among its connotations is that of a rational form of discourse that relies on inductive and deductive ...
Reason is the capacity of consciously applying logic by drawing valid conclusions from new or existing information, with the aim of seeking the truth. [1] It is associated with such characteristically human activities as philosophy, religion, science, language, mathematics, and art, and is normally considered to be a distinguishing ability possessed by humans.
A quotation or quote is the repetition of a sentence, phrase, or passage from speech or text that someone has said or written. [1] In oral speech, it is the representation of an utterance (i.e. of something that a speaker actually said) that is introduced by a quotative marker, such as a verb of saying.
For example, considering the proposition "all bachelors are unmarried:" its negation (i.e. the proposition that some bachelors are married) is incoherent due to the concept of being unmarried (or the meaning of the word "unmarried") being tied to part of the concept of being a bachelor (or part of the definition of the word "bachelor").
3.328 "If a sign is not necessary then it is meaningless. That is the meaning of Occam's Razor." (If everything in the symbolism works as though a sign had meaning, then it has meaning.) 4.04 "In the proposition, there must be exactly as many things distinguishable as there are in the state of affairs, which it represents.
It resulted in four direct poetic responses; Edward Pococke's An Answer to the Satyr against Mankind, Thomas Lessey's A Satyr In Answer to the Satyr against Man, and the two anonymous responses An answer to a Satyr [against] Reason & Mankind and An Answer to the Satyr, Against Man. [1] It is alluded to in John Crowne's 1676 play The Country Wit ...
However, to Kant, the sublime is more infinite and can be found even in an object that has no form. The sublime should be regarded as a "presentation of an indeterminate concept of reason". Basically, Kant argues that beauty is a temporary response of understanding, but the sublime goes beyond the aesthetics into a realm of reason.
This view of reason is concerned with clarifying the norms and procedures by which agreement can be reached, and is therefore a view of reason as a form of public justification. According to the theory of communicative rationality, the potential for certain kinds of reason is inherent in communication itself. Building from this, Habermas has ...