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[2]: 16–18 After Flores's essay, there was a resurgence of interest in marvelous realism, which, after the Cuban revolution of 1959, led to the term magical realism being applied to a new type of literature known for matter-of-fact portrayal of magical events. [2]: 18 Literary magic realism originated in Latin America.
Magical realism: A literary style and movement in which magical elements appear in otherwise realistic circumstances. Most often associated with the Latin American literary boom of the 20th century [50] Gabriel García Márquez, Octavio Paz, Günter Grass, Julio Cortázar, Sadegh Hedayat, Nina Sadur, Mo Yan, Olga Tokarczuk: Neo-Romanticism
It is a melting of the visible and the tangible, the hallucination and the dream. It is similar to what the surrealists around [André] Breton wanted and it is what we could call "magic realism." [62] Although the two genres shared much in common, magical realism is often considered as having been born in Latin America.
Asturias makes early use of a literary technique now known as magic realism. One of the most notable works of the dictator novel genre, El Señor Presidente developed from an earlier Asturias short story, written to protest social injustice in the aftermath of a devastating earthquake in the author's home town.
Within a work of fantasy, magic can help to advance the plot, often providing power to heroes or to their opponents. The use of magic frequently manifests itself in a transformation of a character, if not the transformation of the fictional world. [2]: 143 For magic to carry out its functions, it often comes at a price equal to its value.
العربية; Azərbaycanca; تۆرکجه; বাংলা; Беларуская; Беларуская (тарашкевіца) Български; Čeština
[19] Magic realism is achieved by the constant intertwining of the ordinary with the extraordinary. This magic realism strikes at one's traditional sense of naturalistic fiction. There is something clearly magical about the world of Macondo. It is a state of mind as much as, or more than, a geographical place.
Elena Garro (December 11, 1916 – August 22, 1998) was a Mexican author, playwright, screenwriter, journalist, short story writer, and novelist. She has been described as one of the pioneers and an early leading figure of the Magical Realism movement, though she rejected this affiliation. [1]