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In the first half of the 16th century, German dress varied widely from the costume worn in other parts of Europe. Skirts were cut separately from bodices, though often were sewn together, and the open-fronted gown laced over a kirtle with a wide band of rich fabric, often jeweled and embroidered, across the bust.
A chest of costume for drama at King's College, Cambridge, in 1554 contained some items fashioned from disused vestments, including two pieces of blue silk which were "tranposyd to wardyngalis" with a pair of sleeves. [12] Farthingales were bought for children, including Ann Cavendish, the nine year old stepdaughter of Bess of Hardwick in 1548 ...
Charles V, king of Spain, Naples, and Sicily and Holy Roman Emperor, handed over the kingdom of Spain to his son Philip II and the Empire to his brother Ferdinand I in 1558, ending the domination of western Europe by a single court, but the Spanish taste for sombre richness of dress would dominate fashion for the remainder of the century.
Ashelford, Jane: The Art of Dress: Clothing and Society 1500–1914, Abrams, 1996. ISBN 0-8109-6317-5. Ashelford, Jane. The Visual History of Costume: The Sixteenth Century. 1983 edition (ISBN 0-89676-076-6), 1994 reprint (ISBN 0-7134-6828-9). Edge, David: Arms and Armor of Medieval Knights: An Illustrated History of Weaponry in the Middle Ages.
Formal dress for Canadian women was important during this era due to the popularity of costumed theatre, skating carnivals, and balls. Historical figures, such as Marie Antoinette, were popular costume inspirations, and great care was taken to achieve historical accuracy whilst keeping in line with contemporary fashion. The 1870s, for example ...
The jackets of boys after breeching lacked adult tails, and this may have influenced the adult tail-less styles which developed, initially for casual wear of various sorts, like the smoking-jacket and sports jacket. After the First World War the wearing of boy's dresses seems finally to have died out, except for babies.
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