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The Stone Breakers (French: Les Casseurs de pierres), also known as Stonebreakers, was an 1849 oil painting on canvas by the French painter Gustave Courbet.Now destroyed, the image remains an often-cited example of the artistic movement Realism.
Gustave Courbet, The Stone Breakers 1849, oil on canvas, first exhibited at the Paris Salon of 1850, destroyed during World War II. Considered to be the first of Courbet's great works, The Stone Breakers of 1849 is an example of social realism that caused a sensation when it was first exhibited at the Paris Salon in 1850. The work was based on ...
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It was the first of Courbet's imposing paintings of Ornans subjects; others include The Stone Breakers and A Burial at Ornans. [2] After Dinner at Ornans shows the influence of earlier French masters of genre painting such as Le Nain and Chardin. [3] Courbet exhibited it in the Salon of 1849, where it won a medal and was purchased by the state. [2]
A Burial at Ornans (French: Un enterrement à Ornans, also known as A Funeral at Ornans) is a painting of 1849–50 by Gustave Courbet. It is widely regarded as a major turning point in 19th-century French art. The painting records a funeral in Courbet's birthplace, the small town of Ornans.
Pages in category "Paintings by Gustave Courbet" ... Still-Life with Fruit (Courbet) The Stone Breakers; W. The Wave (Courbet) The Wheat Sifters; The Woman in the Waves;
Sketch for the final work, signed, 1856 (National Gallery, Prague) Unsigned sketch, 1856 (National Gallery of Australia, Canberra)Young Ladies Beside the Seine (Summer) (French - Les Demoiselles des bords de la Seine (été)) is an oil-on-canvas painting by the French Realist Gustave Courbet, created between late 1856 and early 1857.
Bonjour, Monsieur Courbet, 1854. A Realist painting by Gustave Courbet. The Realist movement began in the mid-19th century as a reaction to Romanticism and History painting. In favor of depictions of 'real' life, the Realist painters used common laborers, and ordinary people in ordinary surroundings engaged in real activities as subjects for ...