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The pipa, pípá, or p'i-p'a (Chinese: 琵琶) is a traditional Chinese musical instrument belonging to the plucked category of instruments.Sometimes called the "Chinese lute", the instrument has a pear-shaped wooden body with a varying number of frets ranging from 12 to 31.
The default tuning of zhongruan is G 2 D 3 G 3 D 4. [3] It can also be tuned as G 2 D 3 A 3 E 4, or A 2 D 3 D 3 D 4, or other variants, according to requirements in music scores. [4] Since the zhongruan has a rounded, calm and rich tone, it is usually played as a lead instrument in small ensembles and used to accompany other instruments in Chinese orchestra. [5]
The Hyang bipa is a five-stringed pipa, played with a plectrum – the standard type from the Goguryeo dynasty (고구려, 37–668) to the Silla dynasty (신라, −935). It is one of the three types of stringed lutes of the Silla dynasty (besides the geomungo and the gayageum).
Pipa, Gansu, a town in Longnan, Gansu, China; Pipa, Sichuan, a town in Fushun County, Sichuan, China; Pipa Subdistrict, a subdistrict of Gulou District, Xuzhou, Jiangsu, China; Pipa Beach, a village and beach in the state of Rio Grande do Norte, Brazil; Phoenix Islands Protected Area, a marine protected area located in the Republic of Kiribati
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The usage of fingernails, or pipa plectrums, allows pipa techniques—such as the tremolo—to be applied to the sanxian, as well as the performance of works traditionally written for the pipa. Other techniques for sanxian include the use of harmonics and hitting the skin of the instrument with the plectra or fingernail (comparable to the ...
The girl on the far right is playing the đàn tỳ bà. The đàn tỳ bà or đàn tì bà (Vietnamese: [ɗàːn tì ɓàː], Chữ Nôm: 彈琵琶) is a Vietnamese traditional plucked string instrument derived from the Chinese pipa, [1] That first gained popularity in China before spreading throughout East Asia, eventually reaching Vietnam sometime during the Trần dynasty.
The other reference to the liuqin is the tu pipa (土琵琶), literally meaning unrefined pipa, because of the aforementioned diminutive size and resemblance of the liuqin to the pipa. Throughout its history, the liuqin came in variations ranging from two (which only had a range of one and a half octaves) to four strings.
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