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A traditional silhouette portrait of the late 18th century. A silhouette (English: / ˌ s ɪ l u ˈ ɛ t /, [1] French:) is the image of a person, animal, object or scene represented as a solid shape of a single colour, usually black, with its edges matching the outline of the subject. The interior of a silhouette is featureless, and the ...
She first came to the art world's attention in 1994 with her mural "Gone, An Historical Romance of a Civil War as It Occurred Between the Dusky Thighs of One Young Negress and Her Heart." This cut-paper silhouette mural, presenting an Antebellum south filled with sex and slavery, was an instant hit. [21]
Enslaved, he was not taught the "higher art" of painting. [1] After showing skill at silhouette-making, Williams was given a physiognotrace machine to make silhouettes, and he continued to work at Peale's museum as a freedman and a professional silhouette artist who made black-and-white paper silhouettes for visitors of the museum. [1]
The Art of the Silhouette in 19th-century Cork, which included works by Edouart, Stephen O’Driscoll (c.1825-1895), and miniature portraits of members of the Crawford Family, was held at Crawford Art Gallery, Cork in 2015. "Black Out: Silhouettes Then and Now", which included works by Edouart, Moses Williams, and others, held at the National ...
The sitter's face was recorded as a black silhouette. In 1785, Miers writes on the back of one of his images promoting the process: “preserves the most exact Symmetry and animated expression of the Features, much Superior to any other Method.
Das Geheimnis der Marquisin (The Marquise's Secret, 1922) is a reversed, white-on-black silhouette film. Jack and the Beanstalk (1955), which Reiniger was forced to shoot in colour, uses full-colour painted backgrounds with the black silhouettes, some of which are inlaid with translucent, coloured, "sweet wrapper" material for a stained glass ...
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