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Psychedelic folk (sometimes wyrd folk, acid folk or freak folk) [2] is a loosely defined form of psychedelia that originated in the 1960s. It retains the largely acoustic instrumentation of folk , but adds musical elements common to psychedelic music .
Psychedelic music (sometimes called psychedelia) [1] is a wide range of popular music styles and genres influenced by 1960s psychedelia, a subculture of people who used psychedelic drugs such as DMT, LSD, mescaline, and psilocybin mushrooms, to experience synesthesia and altered states of consciousness.
In 1993, Dredd Foole recorded the solo In Quest of Tense, a home-recorded solo album of improvised psychedelic folk music that was released on Forced Exposure's label in 1994. [5] The CD went largely unreviewed at the time of its release, [ 6 ] and Dredd Foole went dormant until the late 90s and would not release another album until 2003.
Journalist David Keenan, who was known as a reporter of noise, freak folk, and drone music scenes, coined "hypnagogic pop" in an August 2009 piece for The Wire. [14] Keenan applied the label to a developing trend of 2000s lo-fi and post-noise music in which artists engaged with elements of cultural nostalgia , childhood memory, and outdated ...
With influences more primarily centered on psychedelic rock and folk groups of the 1960s and 1970s, including American performers Holy Modal Rounders and English and Scottish groups, such as Pentangle, Incredible String Band, Donovan and Comus, [6] this wave was spearheaded by Devendra Banhart, Joanna Newsom, and Vetiver. Both scenes were ...
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The following is a list of psychedelic folk artists This is a dynamic list and may never be able to satisfy particular standards for completeness. You can help by adding missing items with reliable sources .
"Good Shepherd" originated in a very early 19th century hymn written by the Methodist minister Reverend John Adam Granade (1770–1807), "Let Thy Kingdom, Blessed Savior". [1] [2] [3] Granade was a significant figure of the Great Revival in the American West during the 19th century's first decade, as the most important author of camp meeting hymns during that time. [4]