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Ola leaf is a palm leaf used for writing in traditional palm-leaf manuscripts and in fortunetelling in Southern India [1] and Sri Lanka. The leaves are from the talipot tree, a type of palm, and fortunes are written on them and read by fortune tellers. [ 2 ]
A 19th-century palm-leaf manuscript called kammawa from Bagan, Myanmar. In Myanmar, the palm-leaf manuscript is called pesa (ပေစာ). In the pre-colonial era, along with folding-book manuscripts, pesa was a primary medium of transcribing texts, including religious scriptures, and administrative and juridical records. [20]
Once cut off from the tree, the leaves are ordered, cleaned, heated, straightened, and tied together in what is known as an olla book or palm-leaf manuscript. [2] The inscription process is also done according to traditional techniques. Few are original compositions and most are exact copies and in form, shape and size of older manuscripts.
Palm leaf manuscript. On the Indian subcontinent, principal writing media were bhurjapatra made from birch bark, and palm leaf manuscript. Palm leaf manuscript was also the major source for writing and painting in South and Southeast Asian countries including Nepal, Sri Lanka, Burma, Thailand, Indonesia and Cambodia. [8]
Saraswathi Mahal Library, also called Thanjavur Maharaja Serfoji's Saraswathi Mahal Library is a library located in Thanjavur (Tanjore), Tamil Nadu, India.It is one of the oldest subsisting libraries in Asia [1] established during 16th century by the Nayak kings of Thanjavur and has on display a rare collection of Palm leaf manuscripts and paper written in Tamil and Sanskrit and a few other ...
It is a compound of the Pali ti or Sanskrit word of tri (त्रि), meaning "three", and piṭaka (पिटक), meaning "basket". [1] These "three baskets" recall the receptacles of palm-leaf manuscripts and refer to three important textual divisions of early Buddhist literature: Suttas, the Vinaya, and the Abhidhamma. [8]
The manuscript has not been published yet (as of 2018). The manuscript is significant for its script, which is Late Gupta but in a form close to the Devanagari. Daniel Wright purchased this manuscript in February 1875 in Nepal. The manuscript is now preserved as MS Add.1049.1 at the Cambridge University LIbrary.
Often palm-leaf illustrations are more elaborated, obtaining by superimposing layers that are glued together for most of the surface, but in some areas can open like small windows to reveal a second image under the first layer. [28] Tala-pattachitra, palm leaf manuscript illustrating Labanyabati of Kabi Samrata Upendra Bhanja.