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Apart from a medical imaging documentation service, [43] it has developed a fully digital 3D surgical microscope called the Arriscope. [43] The Arri Alexa 65, released in 2014, was used in the filming of The Revenant as well as Mission: Impossible – Rogue Nation and Star Wars: Rogue One. [44] The Arri Amira camera was also released in 2014. [22]
The Arri 765 is a 65 mm camera with a 5-perforation pull-down mechanism. The mirror reflex shutter is manually adjustable between 180° and 15° and has a diameter of 200 mm. The camera can record between 2 and 100 fps, the motors can run both in forward and reverse mode.
The Arriflex 535 is a movie camera product line created by Arri in 1990 to replace the Arriflex 35 BL line.. As such, its potential applications are widespread, and thus it is regularly used as a primary camera on feature films, second unit work on features, on music videos, commercials, special effects work and motion control, among other usage.
Arriflex 435ES. Arri debuted two models of the 435 in 1995: the 435 and 435ES. The latter is suffixed ES to denote electronic shutter capabilities; this means that the shutter angle is able to be continuously electronically adjusted, even while the camera is running, and set to any angle within a specific range (11.2° to 180°) to a great deal of precision (0.1°).
Arri Alexa camera. The Arri Alexa is a digital motion picture camera system developed by Arri. The Arri Alexa was introduced in April 2010 and was Arri's first major transition into digital cinematography, after previous efforts including the Arriflex D-20 and D-21. Alexa cameras are designed to be used in feature films, television shows and ...
It is Arri's flagship sync-sound camera line, replacing the Arriflex 535 line. The design was developed by Fritz Gabriel Bauer and Walter Trauninger, and is heavily derivative of the cameras Bauer created for his Moviecam company, which was bought out by Arri in the mid-1990s. As such, the Arricam is a fusion of the mechanical and intuitive ...
The Arricam cameras were released in 2000 and remain the flagship camera line of Arri's 35 mm products. Despite the fact that Moviecam cameras have not been manufactured for almost ten years, their quality and features have kept them in service to meet their consistent high demand by feature film shoots.
The camera utilizes a three lens turret with three aluminum Arri lens mounts (later 35 IIC/B with one stainless steel bayonet mount and two aluminum Arri mounts), and is capable of frame rates up to 80 frames per second with an accessory speed unit. Film magazines are for 200 ft or 400 ft loads. The DC motor is mounted downwards as a handgrip.