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The Louis XIV style or Louis Quatorze (/ ˌ l uː i k æ ˈ t ɔːr z,-k ə ˈ-/ LOO-ee ka-TORZ, - kə-, French: [lwi katɔʁz] ⓘ), also called French classicism, was the style of architecture and decorative arts intended to glorify King Louis XIV and his reign. It featured majesty, harmony and regularity.
Art from this period shows influences from both the north of Europe (Dutch and Flemish schools) and from Roman painters of the Counter-Reformation. Artists in France frequently debated the merits between Peter Paul Rubens (the Flemish Baroque, voluptuous lines and colors) and Nicolas Poussin (rational control, proportion, Roman classicism).
The Manna (French: La Manne), formerly titled The Israelites Gathering Manna in the Desert (Les Israélites recueillant la manne dans le désert), is an oil painting by Poussin, dated to 1638 or 1639, which is now in the Louvre, in Paris. [1] The work is regarded as one of Poussin's most ambitious. [2]
The following is a chronological list of French artists working in visual or plastic media (plus, for some artists of the 20th century, performance art). For alphabetical lists, see the various subcategories of Category:French artists. See other articles for information on French literature, French music, French cinema and French culture.
Rococo painting also illustrates, in its first version, the social schism that would lead to the French Revolution, and represents the last symbolic bastion of resistance of an elite distant from the problems and interests of the common people, and that was increasingly threatened by the rise of the middle class, which was educated and began to ...
Copy of the Moscow painting considered to be by Poussin himself: Madrid, Prado: 45a/200 Bacchic scene or Nymph and satyr drinking: 1626–1628: 77 x 62 cm: Copy of the Prado painting considered to be by Poussin himself: Moscow, Pushkin Museum: 45b/200 Midas washing himself in the source of the river Pactolus: 1626–1628 c. 97,5 x 72,5 cm
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