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The musical instrumental, chorus, and accompanying background vocals were a direct lift of the Stevie Wonder 1965 song "Uptight (Everything's Alright)", which had been a recent hit, and the authorship of "Little Ole Man" is credited solely to the authors of "Uptight". "Uptight" co-author Henry Cosby has no relation to Bill Cosby.
A note-for-note re-recording of Wonder's version was used as the backing track for Bill Cosby's 1967 musical comedy single, "Little Ole Man (Uptight, Everything's Alright)", which was a US number 4 hit. Bill Cosby is not related to the song's co-writer Henry Cosby.
"Old Dan Tucker," also known as "Ole Dan Tucker," "Dan Tucker," and other variants, is an American popular song. Its origins remain obscure; the tune may have come from oral tradition, and the words may have been written by songwriter and performer Dan Emmett .
Although marketed as a musical comedy album, it consisted mostly of straightforward rhythm and blues performances, including several Jimmy Reed songs, a cover version of Ray Charles' "I Got a Woman" with slightly comedic lyrics, "Mojo Workout", which was a sequel to the Muddy Waters classic "I Got My Mojo Workin'", and "Little Ole Man" which ...
Hank Mills (April 9, 1936 – November 11, 2005) was the pen name taken by country songwriter Samuel Garrett. Mills authored a number of country and western hits of the 1960s and 1970s, including 3 BMI award winners: "Girl on the Billboard" (written with Walter Haynes) was a #1 hit for Grand Ole Opry singer Del Reeves in 1965; [1] "Little Ole Wine Drinker Me" (written w/ Dick Jennings), as ...
"Ol' Man River" is a show tune from the 1927 [5] musical Show Boat with music by Jerome Kern and lyrics by Oscar Hammerstein II, who wrote the song in 1925. The song contrasts the struggles and hardships of African Americans with the endless, uncaring flow of the Mississippi River .
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Good Old Boys is the fourth studio album by American musician Randy Newman, released on September 10, 1974, on Reprise Records, catalogue number 2193.It was Newman's first album to obtain major commercial success, peaking at number 36 on the Billboard 200 and number 58 in Canada. [1]