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National Ensemble of Folk Dances and Songs of Serbia "Kolo" (Serbian: Ансамбл народних игара и песама Србије "Коло" / Ansambl narodnih igara i pesama Srbije "Kolo"), known simply as Ensemble "Kolo" (Ансамбл "Коло" / Ansambl "Kolo"), was established on 5 May 1948 by the decision of People's Republic of Serbia which at that time was one of the six ...
100 najboljih pesama svih vremena YU rocka (Top 100 Yugoslav Rock Songs of All Times) was a list compiled by the Serbian music magazine Rock Express. In 1999, Rock Express started the poll for the selection of top 100 Yugoslav rock songs. The whole list was published in the 25th issue of Rock Express, in 2000. [1]
Serbian folk music (Serbian: српска народна музика / srpska narodna muzika) refers to, in the narrow sense, the "older" style of Serbian folk music, predating the "newer" (Serbian: новокомпонована / novokomponovana, "newly composed") style which emerged in the 1970s and 1980s as a result of urbanisation.
100 najboljih domaćih pesama (Top 100 Domestic Songs) was a list compiled by Serbian Radio B92. In 2006, Radio B92 organized the poll for the selection of top 100 Yugoslav songs. The whole list was presented on radio B92 on 5 November 2006. The list contains popular music songs from former Yugoslavia and the songs from successor states.
The LADO dance ensemble was founded on 11 November 1949 by Founding Artistic Director and Choreographer Zvonko Ljevaković, [3] thanks in part to a grant from the government of the People's Republic of Croatia under the name Državni zbor narodnih plesova i pjesama (DZNPiP). Its mission was to find and collect samples of the rich Croatian music ...
YU 100: najbolji albumi jugoslovenske rok i pop muzike (trans. YU 100: the Greatest Yugoslav Rock and Pop Music Albums) is a book by Duško Antonić and Danilo Štrbac, published in 1998. [1]
Croatian English translation Zaspal Pave pod orihom u hlade. "Stani, Pave, rosa na te pade, Rosa će ti košulju zmočiti." "Nije meni za košulju moju,
Starogradska muzika was very popular during the early 20th century in Serbia. Today, this sort of music can be heard in the bohemian quarter of Belgrade, Skadarlija.It is most popular in the northern part of Serbia, Vojvodina.