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The character Osono, from the play Hade Sugata Onna Maiginu (艶容女舞衣), in a performance by the Tonda Puppet Troupe of Nagahama, Shiga Prefecture. Bunraku (also known as Ningyō jōruri (人形浄瑠璃)) is a form of traditional Japanese puppet theatre, founded in Osaka in the beginning of the 17th century, which is still performed in the modern day. [1]
Tonda Puppet Hall, located in the city of Nagahama. In 2016, the current emperor, Naruhito visited Nagahama and the Tonda Puppet Troupe performed for him and his wife. They are in possession of some of the oldest bunraku puppet heads after the National Bunraku Theater burned down. Their oldest heads are 250 years old and have a stamp branded ...
A performance by Bunraku Bay Puppet Troupe of Keisei Awa no Naruto at the 2006 Iida Puppetry Festival in Iida, Nagano Prefecture, Japan.. Bunraku Bay Puppet Troupe (known since 2011 as "Bunraku Bay Puppet Theater") is an American puppet troupe that performs the traditional Japanese puppet drama commonly known as ningyō jōruri or Bunraku.
Bunraku scene from Date Musume Koi no Higanoko (伊達娘恋緋鹿子) depicting Yaoya Oshichi climbing the tower. Bunraku began in the 16th century. Puppets and bunraku were used in Japanese theatre as early as the Noh plays. Medieval records prove the use of puppets in Noh plays too. The puppets were 3–4 feet (0.91–1.22 m)-tall, and the ...
Imada Puppet Troupe (今田人形座, Imada Ningyōza) is a traditional Japanese puppet troupe in the style that is commonly known as Ningyō Jōruri (人形浄瑠璃) or Bunraku, based in Iida, Nagano.
This included drawing inspiration from Japan’s distinctive Bunraku puppets, which have carved heads and hands with elaborate costumes, co-operated by a trio of puppeteers dressed in black ...
The Kuroda Puppet Troupe (黒田人形座) is a traditional Japanese puppet troupe in the style commonly known as ningyō jōruri or bunraku based in the city of Iida in Nagano Prefecture. Founded in 1688, the Troupe has performed continuously to the present.
Bunraku (puppet theater) is a form of theater that emerged in the Genroku period. Featuring puppets of roughly two-thirds human size, each puppet was controlled by a maximum of three men. A highly skilled singer-actor chanted the several parts and the narration alongside musical accompanists.
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