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Capriccio for Harp and String Orchestra; Capriol Suite; Celtic Voices and Hale Bopp; Concerto for Double String Orchestra (Tippett) Concerto for Piano and String Orchestra; Concerto for Piano, Violin and Strings (Mendelssohn) Concerto for Two Violins (Bach) Concerto for Two Violins and String Orchestra (Arnold) Concerto for Violin and Strings ...
A string orchestra is an orchestra consisting solely of a string section made up of the bowed strings used in Western Classical music. The instruments of such an orchestra are most often the following: the violin, which is divided into first and second violin players (each usually playing different parts), the viola, the cello, and usually, but not always, the double bass.
The Suite for Violin and String Orchestra in D minor, JS 185 (Op. 117), [a] is a concertante composition for violin and strings written in 1929 by the Finnish composer Jean Sibelius. The piece is in three movements , as follows:
A number of concertos and concertante works have been written for cor anglais (English horn) and string, wind, chamber, or full orchestra.. English horn concertos appeared about a century later than oboe solo pieces, mostly because until halfway through the 18th century different instruments (the taille de hautbois, vox humana and the oboe da caccia) had the role of the tenor or alto ...
At the same time, Sviridov increasingly felt estranged from the music of Igor Stravinsky—whose Perséphone, Symphony of Psalms, and Jeu de cartes he knew well—and Dmitri Shostakovich. [4] In 1940, Sviridov began and completed his Symphony for Strings. [5] Sviridov's use of a string orchestra was considered unusual for a Soviet symphony of ...
Under free bowing, however, the string members each determine individually the best way to play a set of notes, collectively producing a deeper sound, free of mechanical restriction. Free bowing is rarely used today in Western classical music because of its lack of communal focus, which can cause musicians to play out of step with each other. [3]
String Quartet No. 2 "Choralquartett (Chorale Quartet)" (2003), [16] for flute, oboe, bassoon, celesta (ad lib.) and string orchestra (2019) Hallstudie ( Reverberation Study ) for piano (2003) [ 17 ] Das Gesicht im Spiegel ( The Face in the Mirror ), opera in 16 scenes, libretto by Roland Schimmelpfennig (2003)
Moz-Art à la Haydn for two violins and string orchestra (1977) Concerto Grosso No. 1 for flute, oboe, harpsichord, prepared piano and string orchestra (1988 version) Concerto Grosso No. 2 for violin, cello and triple symphony orchestra (1981–1982) Concerto Grosso No. 3 for two violins, harpsichord, celesta, piano and 14 strings (1985)
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