enow.com Web Search

Search results

1. Results from the WOW.Com Content Network

2. Comparison of free software for audio - Wikipedia

   en.wikipedia.org/wiki/Comparison_of_free...

   multi-track audio editor intended as a replacement for Cubase-like software GPL-2.0-or-later: MusE: Yes No No Qt MIDI sequencer GPL-2.0-or-later: Qtractor: Yes No No Qt A non-destructive multi-track audio and MIDI Workstation GPL-2.0-or-later: Rosegarden: Chris Cannam Yes No No Qt MIDI sequencer and multi-track recorder GPL-2.0-or-later: SoX ...

3. Bitcrusher - Wikipedia

   en.wikipedia.org/wiki/Bitcrusher

   LossyWAV software by David Robinson and Nick Currie calculates the minimum bit depth to represent each segment of a PCM waveform without audible distortion. Though it is intended as a preprocessor for reducing bit rates in audio compression , pushing the quality setting lower produces bitcrush distortion.

4. Reason (software) - Wikipedia

   en.wikipedia.org/wiki/Reason_(software)

   Reason is a digital audio workstation and audio plug-in [1] developed by the Swedish company Reason Studios (formerly known as Propellerhead Software) for macOS and Windows. The first version was released in 2000.

5. Comparison of audio synthesis environments - Wikipedia

   en.wikipedia.org/wiki/Comparison_of_audio...

   Software audio synthesis environments typically consist of an audio programming language (which may be graphical) and a user environment to design/run the language in. Although many of these environments are comparable in their abilities to produce high-quality audio, their differences and specialties are what draw users to a particular platform.

6. Auto-Tune - Wikipedia

   en.wikipedia.org/wiki/Auto-Tune

   Auto-Tune is audio processor software released on September 19, 1997, by the American company Antares Audio Technologies. [1] [4] It uses a proprietary device to measure and correct pitch in music. [5] It operates on different principles from the vocoder or talk box and produces different results. [6]

7. Sampling (signal processing) - Wikipedia

   en.wikipedia.org/wiki/Sampling_(signal_processing)

   Audio is typically recorded at 8-, 16-, and 24-bit depth, which yield a theoretical maximum signal-to-quantization-noise ratio (SQNR) for a pure sine wave of, approximately, 49.93 dB, 98.09 dB and 122.17 dB. [25] CD quality audio uses 16-bit samples. Thermal noise limits the true number of bits that can be used in quantization.

8. List of distortion pedals - Wikipedia

   en.wikipedia.org/wiki/List_of_distortion_pedals

   A collection of effects pedals, including several distortions: a MXR Distortion + (top row, second from left), and a Pro Co Rat, Arbiter Fuzz Face, and Electro-Harmonix Big Muff (all middle row, from left). Distortion pedals are a type of effects unit designed to add distortion to an audio signal to create a warm, gritty, or fuzzy character.

9. Compression artifact - Wikipedia

   en.wikipedia.org/wiki/Compression_artifact

   A compression artifact (or artefact) is a noticeable distortion of media (including images, audio, and video) caused by the application of lossy compression. Lossy data compression involves discarding some of the media's data so that it becomes small enough to be stored within the desired disk space or transmitted ( streamed ) within the ...