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However, use of the literal rule may defeat the intention of Parliament. For instance, in the case of Whiteley v. Chappel, [10] the court came to the reluctant conclusion that Whiteley could not be convicted of impersonating "any person entitled to vote" at an election, because the person he impersonated was dead. Using a literal construction ...
The purposive approach (sometimes referred to as purposivism, [1] purposive construction, [2] purposive interpretation, [3] or the modern principle in construction) [4] is an approach to statutory and constitutional interpretation under which common law courts interpret an enactment (a statute, part of a statute, or a clause of a constitution) within the context of the law's purpose.
The Case of the Whitechapel Vampire; Written by: Characters by Arthur Conan Doyle: Screenplay by: Rodney Gibbons: Directed by: Rodney Gibbons [1]: Starring: Matt Frewer Kenneth Welsh
If He Hollers, Let Him Go! is a 1968 American neo noir crime film written and directed by Charles Martin (1910-1983), [1] based on the 1945 novel of the same title by Chester Himes. [ 2 ] Plot
The Ruthless Four (Italian: Ognuno per sé, lit. 'Everyone for Himself') is a 1968 Italian / West German feature motion picture about the American Frontier / Western film directed by Giorgio Capitani and starring famous American actors Van Heflin, and Gilbert Roland, along with an international cast (but generally unknown in the U.S.)..
While attending a party with her workmate Terry Wilson at an isolated barn, Ann Henderson is assaulted, but is saved in the nick of time by Mr. Bradley.
Love Toy is a 1968 soft-core exploitation film, produced and directed by Doris Wishman. It stars Pat Happel, Uta Erickson (billed as Willa Mist) and Larry Hunter (billed as Vic Lester). [ 1 ]
Madigan is a 1968 American neo-noir [2] crime drama thriller film directed by Don Siegel (as Donald Siegel) and starring Richard Widmark, Henry Fonda and Inger Stevens.. The screenplay—originally titled Friday, Saturday, Sunday—was adapted by two writers who had been blacklisted in the 1950s, Howard Rodman (credited here under the pseudonym Henri Simoun) and Abraham Polonsky.
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