Search results
Results from the WOW.Com Content Network
Watercolour paint used in photographic hand-colouring consists of four ingredients: pigments (natural or synthetic), a binder (traditionally arabic gum), additives to improve plasticity (such as glycerine), and a solvent to dilute the paint (i.e. water) that evaporates when the paint dries. The paint is typically applied to prints using a soft ...
The black-and-white Đám cưới chuột. According to the villagers, the making of tranh Đông Hồ painting was dated back to the 11th century during the reign of the Lý dynasty, while researchers propose that craftsmen began to print pictures in Đông Hồ village during the rule of Lê Kính Tông (1600–1619) of the Lê dynasty. [1]
The oil painting becomes more transparent with age, so to avoid a gradual brightening of the picture, a pale beige color of ground is considered neutral. [4] White ground provides the greatest freedom of choice for colors, while colored grounds reduce the color range and force the use of more opaque paint application. [1]
Painting is a visual art, which is characterized by the practice of applying paint, pigment, color or other medium to a solid surface (called "matrix" [1] or "support"). [2] The medium is commonly applied to the base with a brush , but other implements, such as knives, sponges, and airbrushes , may be used.
The grey, black, and white painting, on a canvas 3.49 meters (11 ft 5 in) tall and 7.76 meters (25 ft 6 in) across, portrays the suffering wrought by violence and chaos. Prominently featured in the composition are a gored horse, a bull, screaming women, a dead baby, a dismembered soldier, and flames.
Scratchboard or scraperboard or scratch art [1] is a form of direct engraving where the artist scratches off dark ink to reveal a white or colored layer beneath. The technique uses sharp knives and tools for engraving into the scratchboard, which is usually cardboard covered in a thin layer of white China clay coated with black India ink .
Isle of the Dead (German: Die Toteninsel) is the best-known painting of Swiss Symbolist artist Arnold Böcklin (1827–1901). Prints were very popular in central Europe in the early 20th century—Vladimir Nabokov observed in his 1936 novel Despair that they could be "found in every Berlin home". [1]
In painting, it is a technique in which a paint brush that is very wet with solvent and holds a small load of paint or ink is applied to a wet or dry support such as paper or primed or raw canvas. The result is a smooth and uniform area that ideally lacks the appearance of brush strokes and is semi-transparent.