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Lang served as the organizer of the event, [3] [4] as well as the organizer for its follow-up events, Woodstock '94 and the ill-fated Woodstock '99. [3] He later became a producer of records, films, and other concerts, as well as a manager for performing artists, a critically acclaimed author, and a sculptor.
NEP Group, Inc. also known as NEP Supershooters LP [5] (formerly NEP Broadcasting LLC) is a Pittsburgh, Pennsylvania based and privately owned international production company that provides outsourced teleproduction services for major events throughout the world.
Relix, originally and occasionally later Dead Relix, is a magazine that focuses on live and improvisational music. The magazine was launched in 1974 as a handmade newsletter [1] devoted to connecting people who recorded Grateful Dead concerts. It rapidly expanded into a music magazine covering a wide number of artists. [2] It is the second ...
Entertainment Design and Lighting Dimensions were merged into Live Design in December 2005. Live Design closed its print publication and converted to a digital, interactive app and magazine for Apple products in December 2013, and implemented an Android version in October 2014. [6] [14] In late 2019, Questex purchased Live Design from Informa ...
C3 Presents is a concert promotion, event production and artist management company based in Austin, Texas. [1] C3 also produces several multi-day festivals including Austin City Limits Music Festival in Austin Texas, [2] Two Step Inn Music Festival in Georgetown Texas, [3] Voodoo Music + Arts Experience in New Orleans, [4] and Lollapalooza in Chicago along with its six international editions. [5]
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BB, PRIMEDIA Consumer Magazine Group (1987–2000) BBW, Various including Larry Flynt Publications Inc. (1979–2003) Between C & D (1983–1990) Beyond Fantasy Fiction (1953–1955) Big Brother (1992–2004) Bill Apters W O W Xtra Magazine, H&S Media Inc. (2000–2001) The Black Cat (1895–1922) Black Issues Book Review (1999–2007) Black ...
Live event visual amplification is the display of live and pre-recorded images as a part of a live stage event.Visual amplification began when films, projected onto a stage, added characters or background information to a production. 35 mm motion picture projectors became available in 1910 – but which theatre or opera company first used a movie in a stage production is not known.