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Latin prosody (from Middle French prosodie, from Latin prosōdia, from Ancient Greek προσῳδία prosōidía, 'song sung to music', 'pronunciation of syllable') is the study of Latin poetry and its laws of meter. [1]
The Sapphic stanza was one of the few classical quantitative meters to survive into the Middle Ages, when accentual rather than quantitative prosody became the norm. Many Latin hymns were written in Sapphic stanzas, including the famous hymn for John the Baptist which gave the original names of the sol-fa scale:
Many of their other songs contain some lines in Latin, have a Latin name and/or are supported by a choir singing in Latin. Rhapsody of Fire – Ira Tenax; Rotting Christ: Sanctus Diavolos: Visions of a Blind Order, Sanctimonius, Sanctus Diavolos; Theogonia: Gaia Telus, Rege Diabolicus; Κατά τον δαίμονα εαυτού: Grandis ...
Strophic form – also called verse-repeating form, chorus form, AAA song form, or one-part song form – is a song structure in which all verses or stanzas of the text are sung to the same music. [1] Contrasting song forms include through-composed, with new music written for every stanza, [1] and ternary form, with a contrasting central section.
Art song – Musical setting of a poem or text usually written for one voice with piano accompaniment. Lied – German art song. Mélodie – French art song. Song cycle – Group of songs designed to be performed in a sequence as a single entity. Aubade – Song or instrumental composition concerning morning love or lovers separating at dawn.
Feid injected some reggaeton beats with house music on songs like “Ferxxo 151” and “Románticos de lunes,” one of the most heartfelt tracks on the albums where he sings about wanting to ...
These three are not equivalent, though song lyrics are often in the lyric mode and Ancient Greek lyric poetry was principally chanted verse. [a] [2] The term owes its importance in literary theory to the division developed by Aristotle among three broad categories of poetry: lyrical, dramatic, and epic. Lyric poetry is one of the earliest forms ...
Two of the songs included, "Betty" and "Sweet Nothing," were co-written by Alwyn under the pen name William Bowery. ... “These songs all have one thing in common: I wrote them while feeling ...