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Caramelldansen is known in Japan as "Uma uma dance" (ウマウマダンス), because the chorus's lyrics "u-u-ua-ua" were misheard as ウッーウッーウマウマ ("u- u- umauma") The Japanese title is written with the emoticon (°∀°) added to the end.
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Brolsma's video, entitled "Numa Numa Dance", was uploaded to the website Newgrounds on December 6, 2004 under the username Gman250, showing Brolsma's lip-syncing of the song with lively dance moves. The video's title is derived from the Romanian words " nu mă nu mă " occurring in the refrain of O-Zone's song, which was the first Numa Numa ...
For further promotion the group also gave several live performances of the song in Europe, Russia and Japan. In the United States, Balan appeared on Today to sing "Ma Ya Hi", [B] an English language-version of "Dragostea din tei" released exclusively to that region as a collaboration between him and American musician Lucas Prata. Over the years ...
Uma–Maheshvara, central India, probably late 1000s to 1100s AD, buff sandstone, Dallas Museum of Art. Uma–Maheshvara (Sanskrit: उमामहेश्वर, romanized: Umāmaheśvara) is a form of the divine couple, Shiva (Maheshvara) and Parvati (Uma), in Hindu iconography. It features the two principle Hindu deities in a benign form.
Krishna and Radha dancing the rasalila, a 19th-century painting, Rajasthan. The Raslila (Sanskrit: रासलीला, romanized: Rāsalīlā), [1] [2] also rendered the Rasalila or the Ras dance, is part of a traditional story described in Hindu texts such as the Bhagavata Purana and Gita Govinda, where Krishna dances with Radha and the gopis of Braj.
Performed with joy, the dance is called Ananda Tandava. Performed in a violent mood, the dance is called Raudra or Rudra Tandava. The types of Tandava found in the Hindu texts are: Ananda Tandava, Tripura Tandava, Sandhya Tandava, Samhara Tandava, Kali (Kalika) Tandava, Uma Tandava, Shiva Tandava, Krishna Tandava and Gauri Tandava. [7]
Bossa nova (Portuguese pronunciation: [ˈbɔsɐ ˈnɔvɐ] ⓘ) is a relaxed style of samba [nb 1] developed in the late 1950s and early 1960s in Rio de Janeiro, Brazil. [2] It is mainly characterized by a calm syncopated rhythm with chords and fingerstyle mimicking the beat of a samba groove, as if it was a simplification and stylization on the guitar of the rhythm produced by a samba school band.