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The celesta (/ s ɪ ˈ l ɛ s t ə /) or celeste (/ s ɪ ˈ l ɛ s t /), also called a bell-piano, is a struck idiophone operated by a keyboard. It looks similar to an upright piano (four- or five- octave ), albeit with smaller keys and a much smaller cabinet, or a large wooden music box (three-octave).
Idiophones produce sound primarily by the vibration of the instrument itself, without the use of air flow, strings, membranes or electricity: Carillon; Celesta; Dulcitone; Electric piano. Wurlitzer electric piano; Rhodes piano; Hohner Pianet; Glasschord; Keyboard glockenspiel; Toy piano; Terpodion
Music for Strings, Percussion and Celesta, Sz. 106, BB 114 is one of the best-known compositions by the Hungarian composer Béla Bartók. Commissioned by Paul Sacher to celebrate the tenth anniversary of the chamber orchestra Basler Kammerorchester , the score is dated 7 September 1936.
The bell-like sounds of a celesta correspond to edits with a net addition of content to Wikipedia, and the strums of a clavichord correspond to net subtractions of content. The pitch is inversely proportional to the size of the edit (lower pitched notes are produced by larger edits). [ 6 ]
Claudio Simonetti: Mellotron (presets: 3-Violins, church organ and 8-Choir), Elka organ, Logan violin, Celesta, Fender Rhodes electric piano, grand piano, Moog synthesizers (Minimoog and System 55) Additional
Refrain was composed in June and July 1959 on commission from Gerhart von Westerman for the Berlin Festwochen, and is dedicated to Ernst Brücher []. [1] It was premiered on 2 October 1959 by David Tudor (piano), Cornelius Cardew (celesta), and a percussionist from the WDR Symphony Orchestra, Siegfried Rockstroh (vibraphone), at the Berlin Congresshalle, as part of an all-Stockhausen concert ...
[4] The title track – credited to fifteen writers – is a one-chord sound collage "with organ, woodwinds, percussion, guitars and bass, punctuated by spoken interjections", while "Childsong", another sound collage, combines celesta, wind chimes and flute recorder with the sounds of children and Volk's childhood singing. [4]
The glasschord was invented circa 1785 [2] by physicist [3] M. Beyer of Paris. [4] [5] It creates sound by using cloth covered wooden hammers to strike glass tubes laid on a cloth strip, with no dampeners.