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Harold Bloom (July 11, 1930 – October 14, 2019) was an American literary critic and the Sterling Professor of humanities at Yale University. [1] In 2017, Bloom was called "probably the most famous literary critic in the English-speaking world". [ 2 ]
The Western Canon: The Books and School of the Ages is a 1994 book about Western literature by the American literary critic Harold Bloom, in which the author defends the concept of the Western canon by discussing 26 writers whom he sees as central to the canon.
Pages in category "Books by Harold Bloom" The following 5 pages are in this category, out of 5 total. This list may not reflect recent changes. A. The American Religion;
Jonathan David Cahn (born 1959) is an American Messianic Jewish Rabbi, author, and novelist known for his debut novel The Harbinger. He is the founder and leader of the Beth Israel Worship Center in Wayne, New Jersey .
Most of the book is devoted to critical analyses of the plays and not explanation of the book's subtitle; though these analyses are "richly packed with brilliant observations", they "do not add up to the kind of systematic support Bloom's central claim deserves and demands", and not enough attention is given to the ramifications of that claim. [5]
American television and radio host Glenn Beck called it "an incredible story", saying that the author's use of novel format was at present the only way to have a serious conversation about God for modern Americans. [14] American radio host and Denver, Colorado Pastor Bob Enyart interviewed Jonathan Cahn about his book, The Harbinger. And while ...
The Anxiety of Influence: A Theory of Poetry is a 1973 book by Harold Bloom on the anxiety of influence in writing poetry. It was the first in a series of books that advanced a new "revisionary" or antithetical [ 1 ] approach to literary criticism .
The novel received mostly favorable reviews from critics. [5] In a positive review for The New York Times Book Review, Taffy Brodesser-Akner referred to the novel as "an infuriating, frustrating, pretentious piece of work — and also absorbing, delightful, hilarious, breathtaking and the best and most relevant novel I’ve read in what feels like forever". [3]