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VXR was the branding for the high performance trim specification, used since 2004 for models in many of Vauxhall's car range in the United Kingdom. Holden has also used the VXR badge for some of its high-performance cars such as the Astra VXR, Insignia VXR, and the Commodore VXR.
Nancy Mowll Mathews (born 1947 in Baltimore) is a Czech-American art historian, curator and author. She was the Eugénie Prendergast Senior Curator of 19th and 20th Century Art at the Williams College Museum of Art [ 1 ] from 1988 to 2010. [ 2 ]
Holden Special Vehicles (HSV) was the officially designated performance vehicle division for Holden.Established in 1987 and based in Clayton, Victoria, the privately owned company modified Holden models such as the standard wheelbase Commodore, long wheelbase Caprice and Statesman, and commercial Ute for domestic and export sale.
The VXR8 is the successor to both the Vauxhall Monaro VXR and the Vauxhall Omega/Carlton. Initially powered by a 411 bhp (306 kW) Gen IV LS2 6.0 litre V8, from late 2009 it was upgraded to the Gen IV LS3 6.2 litre V8 with 425 bhp (317 kW), shared with the Chevrolet Corvette C6 and the Chevrolet Camaro SS.
ASCII art of a fish. ASCII art is a graphic design technique that uses computers for presentation and consists of pictures pieced together from the 95 printable (from a total of 128) characters defined by the ASCII Standard from 1963 and ASCII compliant character sets with proprietary extended characters (beyond the 128 characters of standard 7-bit ASCII).
Arthur F. Mathews (October 1, 1860 – February 19, 1945) was an American Tonalist painter who was one of the founders of the American Arts and Crafts Movement. Trained as an architect and artist, he and his wife Lucia Kleinhans Mathews had a significant effect on the evolution of Californian art in the late
After their marriage in 1894, the Mathews’ embarked on a European grand tour in the summer 1898, with Lucia’s friend, Louise Schwamm. The trip began in London, where “Lucia [started] a travel diary and sketchbook [recording] her [honest] impressions and observations of the city’s art and architecture” and galleries (Jones, 166).