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"Headache" is a single written and performed by Frank Black. It was the sole single released from his second solo album, Teenager of the Year , released in 1994. It reached number 53 on the UK charts [ 1 ] and number 10 on Billboard ' s Modern Rock Tracks .
"A Headache Tomorrow (Or a Heartache Tonight)" is a song written by Chick Rains, and recorded by American country music artist Mickey Gilley. It was released in January 1981 as the second single from the album That's All That Matters to Me. The song was Gilley's eleventh number one hit on the country chart.
Heartache Medication gave Pardi his third number-one hit on the Billboard Country Airplay chart. It also peaked at numbers five and 42 on both the Hot Country Songs and Hot 100 charts respectively. The song was certified Platinum by the Recording Industry Association of America (RIAA), and has sold 82,000 copies in the United States as of March ...
A signature song may be a song that spearheads an artist's initial mainstream breakthrough, a song that revitalizes an artist's career, or a song that simply represents a high point in an artist's career. Often, a signature song will feature significant characteristics of an artist and may encapsulate the artist's particular sound and style.
"Constant Headache" is a song recorded by American rock band Joyce Manor. The song was released on January 11, 2011, as part of their self-titled debut album. It was also the namesake of the group's extended play of the same name, first released a year prior. The song is generally considered the band's signature song. [1]
AllMusic's Stephen Thomas Erlewine praised Pardi for using the formula from California Sunrise to craft a track listing filled with odes and nods to traditional country and doesn't give in to the "sentimental streak or his own musical conservatism", concluding that "All of these songs show that Pardi's traditionalism is flexible, and those subtle grace notes help make Heartache Medication the ...
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"Heartaches" is a song written by composer Al Hoffman and lyricist John Klenner and originally published in 1931. A fast-tempo instrumental version of the song by Ted Weems and his Orchestra became a major hit in 1947, topping the Billboard Best Selling Singles chart.