Search results
Results from the WOW.Com Content Network
Goodbye, Columbus is a 1969 American romantic comedy-drama film starring Richard Benjamin and Ali MacGraw, directed by Larry Peerce and based on the 1959 novella by Philip Roth. The screenplay, by Arnold Schulman , won the Writers Guild of America Award .
Richard Samuel Benjamin (born May 22, 1938) is an American actor and film director. He has starred in a number of well-known films, including Goodbye, Columbus (1969), Catch-22 (1970), Portnoy's Complaint (1972), Westworld, The Last of Sheila (both 1973) and Saturday the 14th (1981).
Lawrence "Larry" Peerce (born April 19, 1930) is an American film and TV director whose work includes the theatrical feature Goodbye, Columbus (1969), the early rock and roll concert film The Big T.N.T. Show (1965), One Potato, Two Potato (1964), The Other Side of the Mountain (1975) and Two-Minute Warning (1976).
The title “Goodbye, Columbus” is a quote from a song that was sung by the departing seniors, including Brenda's brother, Ron, at their graduation from The Ohio State University at Columbus. Ron dearly enjoys listening to a record of the song that evokes his years as a varsity athlete on a campus where sports are important.
Twentieth Century Fox. Cast: Macaulay Culkin, Joe Pesci, Daniel Stern, John Heard, Catherine O'Hara Rating: PG Director: Chris Columbus Run Time: 103 minutes Reviews: Rotten Tomatoes 66% | IMDb 7. ...
Cast and crew Ref. J A N U A R Y: 15 More Dead Than Alive: Aubrey Schenck Productions: Robert Sparr (director); Clint Walker, Vincent Price, Anne Francis: Riot: Paramount Pictures: Buzz Kulik (director); Jim Brown, Gene Hackman, Mike Kellin: 23 Some Girls Do: The Rank Organisation: Ralph Thomas (director); Richard Johnson, Daliah Lavi, Beba ...
Cast members past and present walked the red carpet at London’s Festival Hall last night for the finale celebration and a premiere screening of the last ever episode.
Structurally, Portnoy's Complaint is a continuous monologue by narrator Alexander Portnoy to Dr. Spielvogel, his psychoanalyst; Roth later explained that the artistic choice to frame the story as a psychoanalytic session was motivated by "the permissive conventions of the patient-analyst situation," which would "permit me to bring into my fiction the sort of intimate, shameful detail, and ...